可移动裙子的威尼斯女人 - 美国大都会艺术博物馆展品查阅

品名（中）	可移动裙子的威尼斯女人
品名（英）	Venetian Woman with Moveable Skirt
入馆年号	1955年，55.503.30
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Ferrando Bertelli【1561 至 1571】【意大利人】
创作年份	公元 1563
创作地区
分类	印刷品（Prints）
尺寸	页: 5 1/2 x 7 7/16 英寸 (14 x 18.9 厘米)
介绍（中）	威尼斯以其众多精心打扮、精心梳发的妓女而闻名。外国游客对她们华丽的珠宝和丰富的化妆品感到惊讶，而市政当局在没有将其作为对鸡奸祸害的威慑时，谴责这些妓女"故意误导性地模仿"诚实女性" 富有进取心的彼得罗·贝尔泰利（Pietro Bertelli。在这里，挡板是裙子，可以提起它来展示妓女的内衣和筷子（威尼斯女士们在这个永远潮湿的泻湖城市里为了保持双脚干燥而穿的厚底鞋）。这些巧妙而有趣的作品符合色情意象和散文中普遍存在的偷窥狂的自负。在这里，偷窥者不仅仅是一个被动的观察者，而是一个身体参与的参与者，其干预是暴露淫秽内容所必需的。
介绍（英）	Venice was famed for its many elaborately dressed and coiffed courtesans. Foreign visitors marveled at their opulent jewels and use of abundant cosmetics, while civic authorities, when not enlisting them as a deterrent to the scourge of sodomy, decried the courtesans' deliberately misleading resemblance to 'honest women.' Capitalizing on their popularity, the enterprising Pietro Bertelli published a series of prints of courtesans, each with a flap that lifted to reveal, below a seemingly innocent exterior, a glimpse of the carnal pleasures for which Venice was famed by its admirers and reviled by its detractors. Here, the flap is the skirt, that can be lifted to display the courtesan's undergarments and chopines (the platform shoes that Venetian ladies wore to keep their feet dry in the perpetually damp lagoon city). These clever and amusing works appropriate the conceit of voyeurism prevalent in erotic imagery and prose. Here, the voyeur is not merely a passive observer but a physically engaged participant whose intervention is required for the salacious content to be exposed.