荒野中的圣杰罗姆（沙漠中的希罗尼穆斯） - 美国大都会艺术博物馆展品查阅

品名（中）	荒野中的圣杰罗姆（沙漠中的希罗尼穆斯）
品名（英）	St. Jerome in the Wilderness (S. Hieronymus in Deserto) from The Large Landscapes
入馆年号	1926年，26.72.13
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Johannes van Doetecum I【1528 至 1605】【荷兰人】
创作年份	公元 1550 - 公元 1560
创作地区
分类	印刷品（Prints）
尺寸	页: 12 3/16 x 16 13/16 英寸 (31 x 42.8 厘米)
介绍（中）	在荒野中寻求精神庇护的僧侣和教会学者圣杰罗姆的形象只是这幅作品的一小部分。这位圣人和他的狮子一起俯身在前景右侧的一本书上，没有注意到身后壮丽的风景，沿着一条对角线大致均匀地划分在一座堡垒顶上的岩石山坡和下面平静的河谷之间。刻有"沙漠中的Hieronymus"（荒野中的圣杰罗姆）的图像是根据老彼得·勃鲁盖尔的设计印刷的。这是被称为"大景观"的十二幅版画系列之一，所有这些版画都反映了1554年左右勃鲁盖尔从意大利返回时穿越阿尔卑斯山时对他留下的深刻印象。未签名的《大型风景画》主要是由乔安妮和卢卡斯·范·多特库姆兄弟创作的，并由希罗尼穆斯·科克通过其安特卫普商店《四风》出版。这些版画是勃鲁盖尔图像中流传最广、最著名的作品之一，让大批观众了解了他惊人的自然主义和开阔的视野。这是该系列中以圣经为主题的三幅版画之一，但尚不清楚这是否是勃鲁盖尔描绘宗教主题的初衷。这位圣人似乎几乎是事后才想到的，可能是出版商在标题的同时加上的。
介绍（英）	The figure of Saint Jerome, the monk and church scholar who sought spiritual refuge in the wilderness, forms but a minute part of this composition. Bent over a book in the right foreground with his lion, the saint pays no attention to the magnificent landscape behind him, divided roughly evenly along a diagonal between a rocky mountainside crowned by a fortress and the calm river valley below. Inscribed "Hieronymus in Deserto" (Saint Jerome in the Wilderness), the image was printed after a design by Pieter Bruegel the Elder. It is one of a series of twelve prints known as the Large Landscapes, all of which reflect the deep impression the dramatic mountain vistas made on Bruegel as he traveled through the Alps on his return from Italy around 1554. Carried out primarily in etched lines that have the appearance of engraved ones the unsigned Large Landscapes were executed by the brothers Joannes and Lucas van Doetecum and published by Hieronymus Cock through his Antwerp shop, At the Four Winds. The prints, which were among the most widely circulated and celebrated of Bruegel's images, allowed a large audience to become acquainted with his strikingly naturalistic and broad-eyed conception of landscape. This is one of the three prints in the series with a biblical subject, though it is unclear whether it was Bruegel's original intention to depict a religious theme. The saint seems almost an afterthought, probably added by the publisher together with the title.