潘菲利宫及其花园的侧立面视图 - 美国大都会艺术博物馆展品查阅

品名（中）	潘菲利宫及其花园的侧立面视图
品名（英）	View of the side facade of the Palazzo Pamphili and its garden (Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro...Pamphilio)
入馆年号	1961年，61.532.26(20)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Simon Felice【1600 至 1699】【意大利人】
创作年份	公元 1677 - 公元 1691
创作地区
分类	印刷品（Prints）
尺寸	Plate: 9 3/16 x 16 11/16 英寸 (23.3 x 42.4 厘米) Book: 15 7/16 × 19 7/16 × 11/16 英寸 (39.2 × 49.4 × 1.7 厘米)
介绍（中）	Doria Pamphilj别墅周长近6英里，是巴洛克式意大利广阔的别墅花园公园的一个很好的例子，周围环绕着罗马坎帕格纳的树林和草地。受教皇英诺森十世（Pamphilj）委托，亚历山德罗·阿尔加迪（1598-1654）从1644年起建造，这座位于新花园中的娱乐屋被称为赌场，拥有雕刻精美的正面和观景台。正如福尔达的这幅版画所示，赌场由一组精心制作的露台装饰，露台周围的栏杆上有黄杨木的花坛和数百棵橙色或橄榄树。潘菲莱家族属于一群富有的赞助人，包括博尔盖塞家族、卢多维西家族和Barberini家族，他们委托建筑师（Bernini）、风景画家（Claude Lorrain）、植物学家（Giovanni Battista Ferrari）和花园爱好者建造和装饰他们的别墅和花园。这样一个有喷泉和剧院的花园公园幅员辽阔，维护费用高昂，困难重重。在17世纪下半叶，可以观察到衰变的最初迹象。具有讽刺意味的是，正是在这种略显破败的状态下，表现出了对北欧人如此有吸引力的美丽品质，这些花园才变得格外令人钦佩。
介绍（英）	With a circumference of close to six miles, the Villa Doria Pamphilj is a good example of the expansive villa garden-parks of Baroque Italy surrounded by woods and meadows of the Roman campagna. Commissioned by Pope Innocent X (Pamphilj) and built by Alessandro Algardi (1598–1654) from 1644 onward, the pleasure house in the new gardens known as the Casino had a richly sculpted facade and belvedere. As this print by Falda shows, the Casino was decorated by a set of elaborate terraces containing boxwood parterres and hundreds of orange or olive trees in pots on its surrounding balustrades. The Pamphilj family belonged to a circle of wealthy patrons, including the Borghese, Ludovisi, and Barberini, who commissioned architects (Bernini), landscape painters (Claude Lorrain), as well as botanists (Giovanni Battista Ferrari) and garden dilettantes to build and decorate their villas and gardens. The vast expanse of such a garden park with fountains and theaters made maintenance expensive and difficult. In the second half of the seventeenth century, the first signs of decay could be observed. Ironically, it was in this slightly dilapidated state, expressing the quality of picturesqueness which was so appealing to Northern Europeans, that these gardens became especially admired.