维纳斯的花园，在潘任期之前，她斜倚在中心，周围环绕着丘比特 - 美国大都会艺术博物馆展品查阅

品名（中）	维纳斯的花园，在潘任期之前，她斜倚在中心，周围环绕着丘比特
品名（英）	The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
入馆年号	1926年，26.70.3(44)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Pietro Testa【1612 至 1650】【意大利人】
创作年份	公元 1626 - 公元 1642
创作地区
分类	印刷品（Prints）
尺寸	图像: 13 1/2 x 16 5/16 英寸 (34.3 x 41.5 厘米) 页: 13 3/4 x 16 11/16 英寸 (35 x 42.4 厘米)
介绍（中）	特别是因为他作为绘图员和版画家的技能，彼得罗·泰斯塔这个相当悲惨的人物才广为人知。在他三十八岁早逝之前，他的大部分职业生涯都在罗马度过，在那里他在多梅尼奇诺（1581-1641）和彼得罗·达·科尔托纳（1596-1669）的工作室工作，并与像他一样对古典传统特别感兴趣的艺术家和学者有联系。在维纳斯花园中，泰斯塔从尼古拉斯·普桑和提香的《维纳斯崇拜》（1518-19;马德里普拉多博物馆），居住着同样大量的阿莫里尼人，其本身基于希腊作家老菲洛斯特拉图斯（生于公元 190 年）在想象中对一幅古代绘画的描述。Testa的蚀刻版画因其娴熟的技术和辉煌的发明而受到赞赏。在这幅令人印象深刻的印刷品中，通过快速、充满活力的线条以及选择性板色调和多重咬合的使用，实现了空间、纹理和闪光的显着效果。
介绍（英）	It was especially for his skill as a draftsman and printmaker that the rather tragic figure of Pietro Testa became known. Before his early death at the age of thirty-eight, he spent most of his career in Rome, where he worked in the studios of Domenichino (1581-1641) and Pietro da Cortona (1596-1669) and associated with artists and scholars who, like him, were especially interested in the Classical tradition. In the Garden of Venus, Testa drew inspiration from the paintings of Nicolas Poussin and Titian's Worship of Venus (1518-19; Museo del Prado, Madrid), populated by an equally large throng of amorini and itself based on a description of an ancient painting in the Imagines by the Greek writer Philostratus the Elder (born ca. a.d. 190). Testa's etchings were admired as much for their skillful technique as their brilliant invention. In this impressive print, remarkable effects of space, texture, and shimmering light are achieved through rapid, energetic lines and the use of selective plate tone and multiple biting.