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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)参孙和黛利拉
品名(英)Samson and Delilah
入馆年号1922年,22.83.1
策展部门绘画和印刷品Drawings and Prints
创作者Master ES【1445 至 1467】【德国人】
创作年份公元 1445 - 公元 1467
创作地区
分类印刷品(Prints)
尺寸页: 5 7/16 x 4 3/16 英寸 (13.8 x 10.7 厘米)
介绍(中)这幅版画描绘了圣经故事中的一个插曲,希伯来战士参孙和他的情人大利拉。我们在这里看到黛利拉剪掉参孙头发的那一刻,这是他超人力量的源泉。在旧约士师记中出现的经文中,非利士王子应许给大笔钱来揭开参孙的秘密。一旦他的头发被剪掉,非利士人就成功地俘虏、弄瞎和囚禁了他。

这种场景渲染的一个引人注目的方面是黛利拉与观众的直接眼神交流。她目光的自信,她对参孙头发的温柔处理,以及剪刀的微小尺寸使主题不那么明显,与其他当代描绘形成鲜明对比,包括大师E.S.的另一个版本(见Bartsch VIII.2.4或Lehrs 5)以及Albrecht Altdorfer(31.81.1)和Lucas van Leyden(24.8.2). 在这部作品中,两个人物之间明显的尺寸差异使其与"女性的力量"这一流行主题以及女性应对肉体诱惑负责的观念相一致。参孙的身材矮小可能表明他失去了权力,因为他屈服于世俗或世俗的爱。通过将这对夫妇置于一个僻静的景观中,艺术家营造了一种浪漫的氛围,让人想起他的爱情花园作品,其中自然成为性感和非理性的舞台。(参见一对情人在草地长凳上。虽然参孙和大利拉的形象可能是对男人要警惕女人的警告,但其和谐的构图反映了圣经叙事的核心欺骗主题。参孙斗篷的微风强调了这种欺骗性的和谐感,其皱褶的形状反映了黛利拉头饰的面料。

E.S.大师是最早的雕刻师之一,也是第一个开始他的作品的人。他被认为是金匠,虽然这幅版画没有他的会标,但参孙和黛利拉衣服下摆上的小圆圈很可能是用金匠的拳头完成的。

塔蒂亚娜·斯波托诺,2022 年 12 月 9 日
介绍(英)This engraving depicts an episode from the Biblical story of Samson, a Hebrew warrior, and Delilah, his lover. We see here the moment at which Delilah cuts Samson’s hair, the source of his superhuman strength. In the text, which appears in the Book of Judges from the Old Testament, Delilah is promised a large sum of money by the Philistine princes to uncover Samson’s secret. Once his hair is cut, the Philistines succeed in capturing, blinding, and imprisoning him.

A striking aspect of this rendering of the scene is Delilah’s direct eye contact with the viewer. The confidence of her gaze, her gentle handling of Samson’s hair, and the tiny size of the scissors make the subject less immediately apparent, contrasting sharply with other, contemporary depictions, including another version by Master E.S. (see Bartsch VIII.2.4 or Lehrs 5) and treatments of the subject by Albrecht Altdorfer (31.81.1) and Lucas van Leyden (24.8.2). In the present work, the pronounced size difference between the two figures aligns it with the popular theme of the “power of women” and the notion that women were responsible for the temptations of the flesh. Samson’s small size possibly suggests his loss of power as a result of his giving into profane or earthly love. By setting the couple in a secluded landscape, the artist builds a romantic atmosphere reminiscent of his love garden compositions, in which nature becomes a stage for sensuality and irrationality. (See Pair of Lovers on a Grassy Bench.) Although this image of Samson and Delilah may have acted as a warning for men to be wary of women, its harmonious composition reflects the theme of deception central to the Biblical narrative. This deceptive sense of harmony is underscored by the gentle breeze that animates Samson’s cloak, its furled shape mirroring that of the fabric of Delilah’s headdress.

Master E.S. was one of the earliest engravers and the first to initial his work. He is thought to have been a goldsmith, and though this engraving lacks his monogram, the small circles on the hems of both Samson and Delilah’s clothing were likely executed with a goldsmith’s punch.

Tatianna Spotorno, December 9, 2022
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。