《孝经二十四典》的现代版本：郭祝 - 美国大都会艺术博物馆展品查阅

品名（中）	《孝经二十四典》的现代版本：郭祝
品名（英）	Modern Versions of the twenty-four Paragons of Filial Piety: Guo Zhu
入馆年号	1914年，JP141
策展部门	亚洲艺术（Asian Art）
创作者	Isoda Koryūsai【1735 至 1790】【日本人】
创作年份	公元 1760 - 公元 1780
创作地区
分类	印刷品（Prints）
尺寸	10 3/8 x 7 5/8 英寸 (26.4 x 19.4 厘米)
介绍（中）	当他的年轻妻子全神贯注地看着时，一个年轻人正在用竹勺从一个方形壁炉里的铁锅里舀开水，放在榻榻米垫子地板上。在他身后，一幅中国风格的竹编鸟画挂在托克诺玛凹室的鸟形香炉前。这种家庭宁静的场景集中在正式茶道的大锅和其他器具上，事实上是对德川幕府官方意识形态——儒家思想中传播的道德故事之一的诙谐模仿郭朱，据说生活在公元二世纪的中国，对年迈的母亲非常忠诚，他发现自己无法养活整个家庭，于是说服妻子，他们应该埋葬他们的婴儿儿子，以便能够养活她。当他在挖掘坟墓时，他发现了一个金鼎，这是一个公正的奖赏，使他免于痛苦而极度的孝道。这种对传统主题的温文尔雅扭曲是浮世绘艺术家及其江户赞助人的典型机智，他们对幕府所信奉的刻板道德感到愤怒。Koryūsai采用了他的老师Harunbu的玩偶造型，增加了一种新的健壮性，预示着1780年代更为现实的表现。橙色上的暗斑是红铅氧化的结果，这种效果有时有意用于建筑元素。
介绍（英）	As his young wife watches raptly, a young man is taking boiling water with a bamboo ladle from an iron tea cauldron in a square hearth set into the tatami mat floor. Behind him a Chinese-style painting of a bird in bamboo is hung before a bird-shaped incense burner in the tokonoma alcove. This scene of domestic tranquility focused on the cauldron and other utensils of the formal tea ceremony (chanoyu) is in fact a witty parody of one of the moralizing tales propagated in Confucianism, the official ideology of the Tokugawa shogunate. Guo Zhu, said to have lived in the second century A.D. in China, was so devoted to his aged mother that, finding himself unable to support his entire family, he persuaded his wife that they should bury their infant son to be able to feed her. As he was digging the grave, he uncovered a cauldron of gold, a just reward which saved him from a painful, extreme exercise of his filial piety. Such an urbane twist on a traditional theme is typical of the wit of Ukiyo artists and their Edo patrons, who chafed under the rigid morality espoused by the Shogunate. Koryūsai adopted the doll-like figures of his teacher Harunobu, adding a fresh robustness that prefigures the more realistic representations of the 1780s. The darkened mottling on the orange color is the result of oxidation of red lead, an effect sometimes used intentionally for architectural elements.