Sine Cerere et Baccho Friget Venus[没有谷神星和酒神，金星会变冷] - 美国大都会艺术博物馆展品查阅

品名（中）	Sine Cerere et Baccho Friget Venus[没有谷神星和酒神，金星会变冷]
品名（英）	Sine Cerere et Baccho Friget Venus [Without Ceres and Bacchus Venus Grows Cold]
入馆年号	1949年，49.50.406
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan Muller【1571 至 1628】【荷兰人】
创作年份	公元 1592 - 公元 1602
创作地区
分类	印刷品（Prints）
尺寸	页: 20 x 14 1/8 英寸 (50.8 x 35.8 厘米)
介绍（中）	1597年至1606年间，扬·穆勒（Jan Muller）以鲁道夫二世（Rudolf II）皇帝的宫廷画家巴塞洛梅乌斯·斯普兰格（Bartholomeus Spranger）的名字创作了大量大型版画。与目前的作品一样，所有作品都是带有色情主题或暗示的神话题材，穆勒使用了动态的膨胀和渐缩的线条来捕捉施普林格作品中人物的矫揉造作的姿势和夸张的肌肉组织主题取自罗马剧作家特伦斯于公元前161年创作的喜剧《太监》。它的意思是，没有食物和酒，爱情就会变冷，农业女神谷神星（Ceres）和酒神酒神巴克斯（Bacchus）的出现说明了这一点，而爱神维纳斯（Venus）则与丘比特（Cupid）在一起，在火中取暖。这一主题在十六世纪晚期非常流行，尤其是在鲁道夫的宫廷中，但这里的解释很不寻常。通常酒神和谷神星还没有离开金星。该设计基于Spranger于1600年左右创作的一幅画，现藏于维也纳艺术史博物馆（编号：Gemäldegalerie 2435），为鲁道夫创作。
介绍（英）	Between 1597 and 1606, Jan Muller made a number of large-scale engravings after Bartholomeus Spranger, the court painter to Emperor Rudolf II. As in the present work all were mythological subjects with erotic themes or overtones, and Muller used a dynamic swelling and tapering line to capture the mannered poses and exaggerated musculature of Spranger’s subjects. The subject is taken from The Eunuch, a comedy from 161 BCE by the Roman playwright Terrence. Its meaning is that without food and wine, love would grow cold and is illustrated by the presence of Ceres, the goddess of agriculture and Bacchus, the god of wine and fertility walking off, while Venus, the goddess of love stays behind with Cupid, warming themselves at a fire. The theme was a popular one in the late sixteenth century and particularly at Rudolf’s court, but the interpretation here is unusual. Usually Bacchus and Ceres have not already left Venus behind. The design is based on a painting from around 1600 by Spranger, now in the Kunsthistorisches Museum, Vienna (inv. no. Gemäldegalerie 2435), which was painted for Rudolf.