倦 - 美国大都会艺术博物馆展品查阅

品名（中）	倦
品名（英）	Weary
入馆年号	1917年，17.3.64
策展部门	绘画和印刷品（Drawings and Prints）
创作者	James McNeill Whistler【1834 至 1903】【美国人】
创作年份	公元 1863
创作地区
分类	印刷品（Prints）
尺寸	Plate: 8 3/16 x 5 1/4 英寸 (20.8 x 13.3 厘米) 页: 17 9/16 × 13 1/8 英寸 (44.6 × 33.4 厘米)
介绍（中）	惠斯勒作为蚀刻师的自信体现在乔·希弗南的肖像中，他是19世纪60年代的模特、缪斯女神和同伴。这位艺术家的妹夫西摩·哈登教他蚀刻，并在伦勃朗的作品中展出。从后者那里，惠斯勒学会了将版画作为一种实验过程，在这种过程中，图像的某些部分可能会被暗示地保留下来。在这里，惠斯勒使用了干点，在铜上划线，抛出一个毛刺，抓住墨水，以一种柔软、令人回味的方式打印。右下角可以看到一个模糊的女性头部，这表明艺术家在工作时改变了主意，把盘子转过来，重新开始设计。乔的姿势和随意的头发呼应了拉斐尔前派画家丹蒂·加布里埃尔·罗塞蒂（Dante Gabriel Rossetti）创作的女性美女的慵懒形象，罗塞蒂住在切尔西的惠斯勒附近。
介绍（英）	Whistler's confidence as an etcher is seen in this portrait of Jo Hiffernan, his model, muse and companion in the 1860s. The artist's brother-in-law Seymour Haden taught him to etch and showed in works by Rembrandt. From the latter, Whistler learned to approach printmaking as an experimental process in which portions of an image could be left suggestively undeveloped. Here, Whistler used drypoint, scratching lines into the copper to throw up a burr that caught the ink and printed in a soft, evocative manner. A shadowy female head visible at lower right demonstrates that the artist changed his mind as he worked, turned the plate around, and began the design afresh. Jo's pose and sensuously unbound hair echo languid images of women beautiful women created by the Pre-Raphaelite painter Dante Gabriel Rossetti who lived near Whistler in Chelsea.