河岸 - 美国大都会艺术博物馆展品查阅

品名（中）	河岸
品名（英）	Riverbank
入馆年号	2016年，2016.750
策展部门	亚洲艺术（Asian Art）
创作者	Dong Yuan【930 至 960】【中国人】
创作年份	公元 937 - 公元 976
创作地区
分类	绘画（Paintings）
尺寸	图像: 86 3/4 × 43 英寸 (220.3 × 109.2 厘米) 整体 with mounting: 11 ft. 1/2 英寸 × 48 英寸 (336.6 × 121.9 厘米) 整体 with knobs: 11 ft. 1/2 英寸 × 53 英寸 (336.6 × 134.6 厘米)
介绍（中）	在907年唐朝崩溃后的混乱岁月中，中央集权统治被打破，中国分裂成许多短命的王国。其中最重要的是南唐王朝（937-75），它从首都南京统治着长江下游三角洲的大部分地区。正是在那里，一种独特的"南方"山水画风格在宫廷官员和艺术家董源的领导下发展起来。河岸是东源新风格的缩影，它没有轮廓线，使用微妙的水墨和柔和的纹理笔触来描述中国东南部独特的圆形山丘和土坡。对一个学者隐士的描绘同样建立了持久的主题理想。随着年龄的增长，这幅卷轴是中国现存的所有早期山水画中最高的，标志着不朽山水传统的雄伟开始。在十四世纪，卷轴沿着其垂直接缝一分为二。构图的左侧，高大的前景树木背靠坚不可摧的推力和扭曲的山脉形态屏幕，激发了元代（1279-1368）学者艺术家对东元风格的重大复兴。
介绍（英）	During the chaotic years following the collapse of the Tang dynasty in 907, centralized rule was shattered and China splintered into a number of short-lived kingdoms. Among the most important of these was the Southern Tang dynasty (937–75), which governed much of the lower Yangzi River delta from its capital at Nanjing. It was there that a distinctive “southern” style of landscape painting developed under the court official and artist Dong Yuan. Riverbank epitomizes Dong Yuan’s new style, with its absence of contour lines and use of subtle ink washes and soft-rubbed texture strokes to describe the distinctive rounded hills and earthen slopes of southeastern China. The depiction of a scholar-hermit living in elegant reclusion likewise established a lasting thematic ideal. Darkened with age, the scroll, the tallest of all surviving early Chinese landscape paintings, marks the majestic inception of the monumental landscape tradition. The scroll was split in two along its vertical seam during the fourteenth century. The left-hand side of the composition, with its tall foreground trees backed by an impenetrable screen of thrusting and twisting mountain forms, inspired a major revival of the Dong Yuan style among scholar-artists of the Yuan dynasty (1279–1368).