刘晨和阮昭进入天台山 - 美国大都会艺术博物馆展品查阅

品名（中）	刘晨和阮昭进入天台山
品名（英）	Liu Chen and Ruan Zhao Entering the Tiantai Mountains
入馆年号	2005年，2005.494.1
策展部门	亚洲艺术（Asian Art）
创作者	Zhao Cangyun【1267 至 1333】【中国人】
创作年份	公元 1271 - 公元 1333
创作地区
分类	绘画（Paintings）
尺寸	图像: 8 7/8 英寸 x 18 ft. 5 英寸 (22.5 厘米 x 564 厘米)
介绍（中）	这幅手卷由一位经历过蒙古征服的宋朝皇室成员绘制，再现了学者艺术家李公麟（约1041-1106年）的单色绘画风格，记录了两位汉代男子偶然发现一个神奇的神仙王国的传说。半年后回到家，他们发现七代人来了又走，他们在这个世界上是孤独的。1279年宋朝灭亡后，男人们失去了家园和天堂，这让许多中国精英感到迷失方向和疏离。我们对这位艺术家所知甚少的东西包含在画作后安装的挂毯中。第一幅是华友武（1307年－1386年后）的作品，将赵苍云描述为一位以"无骨"（无轮廓）水墨山水和精致人物画而闻名的艺术家。华还表示，这位艺术家年轻时比他的同族赵孟坚（1199年–1267年之前）和赵孟复（1254年–1322年）更出名。由于赵苍云退隐深山，从未结婚或当官，除了这幅卷轴之外，没有任何文献留存下来。
介绍（英）	Painted by a member of the Song royal family who lived through the Mongol conquest, this handscroll, which revives the monochrome drawing style of the scholar-artist Li Gonglin (ca. 1041–1106), chronicles the legend of two men of the Han dynasty who stumble upon a magical realm of immortals. Returning home after what seemed like half a year, they discover that seven generations have come and gone and that they are alone in the world. The men’s loss of home and paradise evokes the disorientation and alienation felt by many of the Chinese elite following the fall of the Song dynasty in 1279. What little we know of the artist is contained in the colophons mounted after the painting. The first, by Hua Youwu (1307–after 1386), describes Zhao Cangyun as an artist known for “boneless” (without outlines) ink-wash landscapes and delicate figure paintings. Hua also states that the artist was more famous in his youth than his fellow clansmen Zhao Mengjian (1199–before 1267) and Zhao Mengfu (1254–1322). As Zhao Cangyun withdrew to the mountains and lived as a recluse, never marrying or serving as an official, no documentation, except this scroll, survives.