竹子、古树和岩石 - 美国大都会艺术博物馆展品查阅

品名（中）	竹子、古树和岩石
品名（英）	Bamboo, old tree, and rock
入馆年号	2012年，2012.526.1
策展部门	亚洲艺术（Asian Art）
创作者	Wu Zhen【1280 至 1354】【中国人】
创作年份	公元 1338
创作地区
分类	绘画（Paintings）
尺寸	图像: 65 5/8 x 38 1/2 英寸 (166.7 x 97.8 厘米) 整体 with mounting: 117 1/2 x 39 1/2 英寸 (298.5 x 100.3 厘米) 整体 with knobs: 117 1/2 x 43 7/8 英寸 (298.5 x 111.4 厘米)
介绍（中）	这幅画展示了吴对11世纪学者艺术家首次推崇的"老树、竹子和岩石"流派的创造性改编。这幅画的大规模使用了重叠的形式和渐变的色调，营造出一种衰退的错觉，用丰富潮湿的墨水唤起了倾盆大雨后树叶的外观，让人想起了宋代先例中的自然主义。但吴以赵（1254-1322）的作品为灵感，用一种新的书法自信来调和这种自然主义的方法。竹叶已被简化为一种重复的、图案状的簇状书法公式，用于描述岩石表面的纹理笔划和叶点已成为源自十世纪大师董源和巨然的强调风格晚年，吴镇专门从事竹子绘画，但即使在这里，在他现存最早的竹子描绘中，艺术家对这种植物的钦佩也是显而易见的，尤其是在他的诗歌铭文中：高杆穿云也许你觉得奇怪，没有认出凤凰的翅膀清音入无声之境，别让中郎吹长颈笛子。
介绍（英）	This painting shows Wu Zhen's creative adaptation of the "old tree, bamboo, and rock" genre first canonized by eleventh-century scholar-artists. The painting's large scale and use of overlapping forms and graded ink tones to create an illusion of recession, and of rich, wet ink to evoke the appearance of foliage after a drenching rain, recall the descriptive naturalism of Song-dynasty precedents. But Wu tempered this naturalistic approach with a new calligraphic assertiveness inspired by the work of Zhao Mengfu (1254–1322). Bamboo leaves have been reduced to a calligraphic formula of repeating, pattern-like clusters, and the texture strokes and foliage dots used to describe rock surfaces have become emphatic mannerisms derived from the tenth-century masters Dong Yuan and Juran. In his later years, Wu Zhen specialized in bamboo painting, but even here, in his earliest extant depiction of bamboo, the artist's admiration for this plant is evident, particularly in his poetic inscription: Tall stalks pierce the clouds. Perhaps you find it strange, Not recognizing the wings of a phoenix. A pure sound enters the realm of the soundless, Do not let Zhonglang blow his long-necked flute.