Amitabha和Kshitigarba - 美国大都会艺术博物馆展品查阅

品名（中）	Amitabha和Kshitigarba
品名（英）	Amitabha and Kshitigarba
入馆年号	1913年，13.5
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1300 - 公元 1349
创作地区
分类	绘画（Paintings）
尺寸	图像: 37 1/4 × 21 7/8 英寸 (94.6 × 55.6 厘米) 整体 with mounting: 72 3/8 × 29 5/8 英寸 (183.8 × 75.2 厘米) 整体 with knobs: 72 3/8 × 31 3/4 英寸 (183.8 × 80.6 厘米)
介绍（中）	阿弥陀佛（韩语：Amita）和菩萨Kshitigarbha（朝鲜语：Jijang）的组合 - 分别在右侧和左侧，站在树冠下 - 是高丽佛教绘画中唯一已知的这种图像的例子。更典型的构图是这两个人物与观世音菩萨（韩语：Gwaneum），形成一个三合会，其中阿弥陀佛是中心神，或者只是两个菩萨。这幅画中的两位神在高丽王朝由于净土佛教的流行而享有强大的追随者。阿弥陀佛提供了轻松解救和进入西方天堂的承诺;Kshitigarbha在死亡和来世提供了指导和救赎。高丽王朝的佛教绘画以其精致、精致和精美的金漆设计而闻名。颜料被涂在丝绸的正面和背面，增强了它们的色调和亮度（尽管随着时间的推移，有些颜料已经因暴露在光线下而褪色）。
介绍（英）	The combination of the Amitabha Buddha (Korean: Amita) and the bodhisattva Kshitigarbha (Korean: Jijang)—on the right and left, respectively, standing under a canopy—is the only known example of this iconography in Goryeo Buddhist painting. A more typical composition features these two figures with the bodhisattva Avalokiteshvara (Korean: Gwaneum), forming a triad in which Amitabha is the central deity, or just the two bodhisattvas. Both deities in this painting enjoyed a strong following during the Goryeo dynasty due to the popularity of Pure Land Buddhism. Amitabha Buddha offered the promise of easy salvation and entry into the Western Paradise; Kshitigarbha provided guidance and redemption in death and the afterlife. Buddhist paintings of the Goryeo dynasty were renowned for their delicacy, refinement, and exquisitely rendered gold-painted designs. Pigments were applied to the front and back of the silk, intensifying their hues and luminosity (though some have faded from exposure to light over time).