猎鹿 - 美国大都会艺术博物馆展品查阅

品名（中）	猎鹿
品名（英）	Stag Hunt
入馆年号	1982年，1982.3.1
策展部门	亚洲艺术（Asian Art）
创作者	Huang Zongdao【1120 至 1120】【中国人】
创作年份	公元 960 - 公元 1234
创作地区
分类	绘画（Paintings）
尺寸	图像: 9 11/16 × 31 1/16 英寸 (24.6 × 78.9 厘米) 整体 with mounting: 10 1/8 英寸 × 22 ft. 7 1/4 英寸 (25.7 × 689 厘米)
介绍（中）	当猎人击中猎物时，骑着小马的猎人左手拿着第二支箭准备好了。这匹强大的马在动画《飞驰》中表现出来，肌肉隆起，暗示着追逐的疯狂刺激，而精心渲染的鹿则呈现了一幅温柔的受害者和死亡的感人肖像狩猎是一种古老的贵族消遣，被归化的游牧民族画家李赞华王子（Prince Li Zanhua）特别喜欢作为绘画主题，这幅画曾被归功于他。到了北宋晚期，学者评论家开始将狩猎场景视为暴力和贪婪的寓言。无论是绘画风格还是对主题的心理解读，都表明这幅作品的创作年代早在12世纪卷轴上附有一批不同寻常的精美的角楼。1352年，朱德润（1294–1365）将这幅画归于李赞华。另外三幅十四世纪的巨像之后是伟大的苏州画家沈周（1427-1509）的一首诗。正如狩猎所描绘的那样，暴力毫无意义，所有的科洛芬作家都对此感到悲哀
介绍（英）	As he hits his prey, the hunter on his pony is ready with a second arrow in his left hand. The powerful horse is shown in an animated “flying gallop,” with bulging muscles suggesting the frenzied excitement of the chase, while the delicately rendered deer presents a moving portrait of a gentle victim and death. Hunting was an ancient aristocratic pastime, especially favored as a pictorial theme by the naturalized nomad painter Prince Li Zanhua, to whom this painting was once attributed. By the late Northern Song period, scholar-critics had begun to treat the hunting scene as an allegory of violence and greed. Both the painting style and the psychological interpretation of the subject matter suggest an early-twelfth-century date for this work. An unusually fine collection of colophons is attached to the scroll. In 1352 Zhu Derun (1294–1365) attributed the painting to Li Zanhua. Three other fourteenth-century colophons are followed by a poem by the great Suzhou painter Shen Zhou (1427–1509). The senselessness of violence, as portrayed by the hunt, is lamented by all the colophon writers