金明湖龙舟赛 - 美国大都会艺术博物馆展品查阅

品名（中）	金明湖龙舟赛
品名（英）	Dragon Boat Regatta on Jinming Lake
入馆年号	1966年，66.174a
策展部门	亚洲艺术（Asian Art）
创作者	Wang Zhenpeng【1265 至 1340】【中国人】
创作年份	公元 1300 - 公元 1368
创作地区
分类	绘画（Paintings）
尺寸	图像: 13 1/2 x 17 ft 6 英寸 (34.3 厘米 x 53.8 m)
介绍（中）	传统上，龙舟比赛在农历五月初五举行，以纪念德行大臣屈原（公元前343-277年）的去世，屈原为驳斥诽谤而溺水身亡。这里描绘的是徽宗皇帝（1101-25 年在位）在第三个月的第三天赞助的比赛，在位于北宋首都开封的皇家公园内的金明（"金光"）湖上。这幅画是杰华或"尺线"绘画的一个显着例子，这是王振鹏完善的复杂建筑描绘风格。根据题词，王于1323年为仁宗皇帝（1312-20年在位）的姐姐大长公主森格（约1283-1331）创作了这幅画，此前他在1310年为仁宗画了类似的构图。作为蒙古宫廷中有权势的人物，森格公主是那个时代最重要的艺术收藏家之一，她的印章出现在许多早期的书画上。她的两枚印章印在大都会卷轴上：一幅在画作的右上角，另一枚在王的题词之后。然而，传说的弱雕刻和印章粘贴的刺眼颜色表明，这两枚印章都是伪造的。王的文书文字铭文的僵硬也标志着它是复制品。这个主题非常受欢迎——至少还有五个其他版本的这个作品。大都会的画似乎是十四世纪后期王的著名作品的复制品。
介绍（英）	Dragon boat races are traditionally held on the fifth day of the fifth lunar month to commemorate the death of the virtuous minister Qu Yuan (343–277 B.C.), who drowned himself to refute slander. Depicted here is a race sponsored by Emperor Huizong (r. 1101–25) on the third day of the third month, on Jinming ("Golden Bright") Lake, which was located in an imperial park at the Northern Song capital of Kaifeng. The picture is a remarkable example of jiehua, or "ruled-line," painting, the intricate style of depicting architecture perfected by Wang Zhenpeng. According to the inscription, Wang executed this painting in 1323 for the Grand Elder Princess Sennge (ca. 1283–1331), the older sister of Emperor Renzong (r. 1312–20), after a similar composition he had painted for Renzong in 1310. A powerful figure in the Mongol court, Princess Sennge was one of the foremost art collectors of the age, and her seals appear on many early paintings and calligraphies. Two of her seals are impressed on the Metropolitan scroll: one in the upper-right corner of the painting, the other following Wang's inscription. The weak carving of the legends and the harsh color of the seal paste, however, suggest that both seals are forgeries. The stiffness of Wang's clerical-script inscription also marks it as a copy. The subject was immensely popular—at least five other versions of this composition exist. The Metropolitan's painting appears to be a later fourteenth-century copy of Wang's famous composition.