路易十三的肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	路易十三的肖像
品名（英）	Portrait of Louis XIII
入馆年号	2012年，2012.106
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Simon Vouet【1590 至 1649】【法国人】
创作年份	公元 1632 - 公元 1635
创作地区
分类	图画（Drawings）
尺寸	页: 10 3/4 x 8 5/16 英寸 (27.3 x 21.1 厘米)
介绍（中）	1627年，法国国王路易十三将Vouet召回法国，他带来了最新的巴洛克风格，并建立了一个相当大的工作室，以帮助他满足巴黎及其周边地区对大型装饰画日益增长的需求。尽管Vouet令人印象深刻的绘画作品使巴黎成为巴洛克风格的新中心，但他与国王的关系也更加私人，国王不仅委托这位画家创作了一系列宫廷成员的亲密粉彩肖像，还让Vouet教他画画在这里，Vouet绘制了国王自己的肖像；从四分之三的视角来看，它处理广泛的技巧和心理上的直接性暗示了一种即时性和舒适性，消除了艺术家和保姆之间的任何距离感。与该联合绘画项目的其他产品一样，《路易十三画像》带有沃特的罗马卡拉瓦格斯克时期的印记，并揭示了他对巴罗奇和巴萨诺等意大利艺术家的粉彩风格的了解。因此，Vouet延续了始于弗朗索瓦一世（1515–1547）统治时期的宫廷肖像画传统，但以新的自然主义和直接性重振了这一传统。
介绍（英）	Recalled to France in 1627 by the French king Louis XIII, Vouet brought with him an up-to-date Baroque manner and set up a sizable studio to help him meet the growing demand for large scale decorative painting for the hôtels and châteaux in and around Paris. Even while his impressive output of paintings was establishing Paris as a new center of Baroque style, Vouet also had a more personal relationship with the king, who not only commissioned from the painter a series of strikingly intimate pastel portraits of members of his court, but also had Vouet teach him to draw. Here, Vouet sketches the king’s own likeness; seen in three-quarter view, its broadly handled technique and psychological directness suggest an immediacy and comfort that erases any sense of distance between artist and sitter. Like other products of this joint drawing project, the Portrait of Louis XIII bears the imprint of Vouet's Roman Caravaggesque period and reveals his knowledge of the pastel manner of Italian artists such as Barocci and the Bassanos. Thus, Vouet continues the rarified court tradition of portrait drawing which had begun during the reign of François I (1515–1547), but reinvigorates it with a new naturalism and directness.