带鹰徽的脚碗 - 美国大都会艺术博物馆展品查阅

品名（中）	带鹰徽的脚碗
品名（英）	Footed Bowl with Eagle Emblem
入馆年号	1891年，91.1.1538
策展部门	伊斯兰艺术（Islamic Art）
创作者
创作年份	公元 1225 - 公元 1275
创作地区	归属于: 可能是叙利亚（Attributed to: probably Syria）
分类	玻璃（Glass）
尺寸	高 7 3/16 英寸 (18.3 厘米) Max. 直径 8 英寸 (20.3 厘米) 直径 of Base: 5 英寸 (12.7 厘米)
介绍（中）	这种特殊形状的器皿，一个有着明显高脚的圆形碗，有时被称为tazze，被认为让人想起基督教的圣杯。12世纪和13世纪，在伊斯兰和基督教世界积极交流的时期，它们在东地中海伊斯兰地区流行起来。这件作品是已知最早的搪瓷玻璃作品之一。它的装饰和图像是"宫廷循环"的一部分，指的是从埃及到安纳托利亚的中世纪伊斯兰社会的统治者和精英的生活方式设计特点是四个圆形徽章，上面有一只猛禽。虽然没有特定的统治者或官员可以与徽章联系在一起，但在穆斯林和基督教的背景下，这种猛禽是权力、王权的常见象征，在一定程度上也是保护的象征。在铭文带的两侧和脚上，一排排追逐野兔的狗唤起了狩猎的感觉，而坐着的音乐家和盛宴人物的雕带取代了部分铭文。狩猎和盛宴都属于宫廷循环，唤起了王权的理想。
介绍（英）	Vessels of this characteristic shape, a rounded bowl with a pronounced, tall foot, were sometimes called tazze and were thought to evoke Christian chalices. They became popular in the Islamic eastern Mediterranean during the twelfth and thirteenth centuries, a period of active exchange between the Islamic and Christian worlds. This piece is among the earliest known examples of enameled glass. Its ornament and iconography is part of the "courtly cycle" referring to the lifestyle of the rulers and elites of medieval Islamic societies from Egypt to Anatolia. The design features four circular medallions with a bird of prey. While no particular ruler or officer can be associated with the emblem, such birds of prey were common symbols of power, kingship, and to a certain extent, protection in both Muslim and Christian contexts. Flanking the inscription band and on the foot, rows of dogs chasing hares evoke the hunt, while a frieze of seated musicians and feasting figures replaces part of the inscription. Both the hunt and the feast pertain to the courtly cycle and evoke ideals of kingship.