道教神仙列子 - 美国大都会艺术博物馆展品查阅

品名（中）	道教神仙列子
品名（英）	The Daoist Immortal Liezi
入馆年号	1989年，1989.139.1a–d
策展部门	亚洲艺术（Asian Art）
创作者	Kano School
创作年份	公元 1596 - 公元 1616
创作地区
分类	绘画（Paintings）
尺寸	整体: 6 ft. x 24 ft. (182.9 x 731.5 厘米)
介绍（中）	这些面板描绘了道教神仙列子（日语：Resshi），他在云端飞走了，而敬畏的人物则在讨论他的神秘失踪。这些门板，或称为fusuma，最初装饰着京都禅宗寺庙Ryōanji住持宿舍（hō。它们是安装在三个房间里的一组四十块面板的一部分，这些面板描绘了各种各样的儒家和道教人物有证据表明，这幅作品是由Kano工作室的画家在Kano Eitoku（1543-1590）的一个儿子的指导下创作的。其中一位候选人是Eitoku的第三个儿子Kano Kotonobu，他在父亲去世后担任Ryōanji的主要赞助人细川家族的画家。二十世纪初，这些屏风被分散并卖给了私人收藏家。虽然中央房间的一些嵌板仍保留在日本，但隔壁房间的嵌板已被西雅图美术馆和其他藏品收购。
介绍（英）	These panels depict Daoist immortal Liezi (Japanese: Resshi), who flies away on a cloud, while awestruck figures discuss his mysterious disappearance. These door panels, or fusuma, originally decorated the west wall in the central room of the abbot’s quarters (hōjō) at Ryōanji, a Zen temple in Kyoto. They are part of a set of forty panels depicting assorted Confucian and Daoist figures that were installed in the three rooms. Evidence suggests that this work was created by painters of the Kano studio under the direction of a son of Kano Eitoku (1543–1590). One candidate is Kano Kotonobu, Eitoku’s third son, who served as a painter for Ryōanji’s chief patrons, the Hosokawa family, after his father’s death. The screens were dispersed and sold to private collectors in the early twentieth century. While some panels from the central room remain in Japan, panels from the adjoining room have been acquired by the Seattle Art Museum and other collections.