踏雪回家 - 美国大都会艺术博物馆展品查阅

品名（中）	踏雪回家
品名（英）	Returning home through the snow
入馆年号	1992年，1992.132
策展部门	亚洲艺术（Asian Art）
创作者	Dai Jin【1388 至 1462】【中国人】
创作年份	公元 1445 - 公元 1465
创作地区
分类	绘画（Paintings）
尺寸	图像: 66 × 32 1/2 英寸 (167.6 × 82.6 厘米) 整体 with mounting: 9 ft. 10 3/4 英寸 × 38 1/2 英寸 (301.6 × 97.8 厘米) 整体 with knobs: 9 ft. 10 3/4 英寸 × 42 3/4 英寸 (301.6 × 108.6 厘米)
介绍（中）	一个孤独的身影，穿着太谦卑，无法承受寒冷的寒风，他拉着保护袖子挡在脸上，他迅速走向舒适的住所，坐落在光秃秃的树木和积雪的竹子之间——也许是戴笠自己的竹雪工作室。戴进是最后一位体现南宋御画院艺术传统的大师之一，但他也是一位多才多艺的画家，从不同的来源汲取灵感。在这幅画中，以柔和蜿蜒的线条勾勒形式的方式，大而有力的落叶树，以及人物与环境相关的比例，让人想起元艺术家盛谋（约1310-60年）的作品。这里倾向于快速、粗略、草书的笔触是戴进后期作品的标志。戴笠有时画得岌岌可危，接近控制的边缘，创造出一种独特的动觉、充满运动的风格，新鲜而新颖，极大地影响了后来的明代专业绘画。
介绍（英）	A solitary figure, too humbly dressed for the cold buffeting wind, draws a protective sleeve to his face as he quickly makes his way to the comfort of the dwelling nestled among bare trees and snow-laden bamboo—perhaps Dai's own Bamboo Snow Studio. Dai Jin was one of the last major masters to embody the artistic traditions of the Southern Song Imperial Painting Academy, but he was also a very versatile painter who drew inspiration from diverse sources. In this painting, the manner of outlining forms with a gentle sinuous line, the large and powerful deciduous trees, and the scale of the figure in relationship to the setting recall the works of the Yuan artist Sheng Mou (act. ca. 1310–60). The tendency toward swift, sketchy, cursive brushwork here is a hallmark of Dai Jin's later work. Dai sometimes painted precariously close to the edge of control, creating a distinctively kinesthetic, movement-filled style that was fresh and new and that would greatly influence later Ming professional painting.