十首牧牛歌 - 美国大都会艺术博物馆展品查阅

品名（中）	十首牧牛歌
品名（英）	Ten Oxherding Songs
入馆年号	1986年，1986.142
策展部门	亚洲艺术（Asian Art）
创作者	Karasumaru Mitsuhiro【1579 至 1638】【日本人】
创作年份	公元 1624 - 公元 1638
创作地区
分类	绘画（Paintings）
尺寸	11 3/4 x 107 英寸 (29.9 x 271.8 厘米)
介绍（中）	十首waka（三十一音节的诗）描述了精神意识的各个阶段，从最初的寻找到最终的实现，在经典的禅宗寓言《十首牧牛歌》中有表达，该寓言将这种充满活力的人类追求比作一个牧童为了追求一头难以捉摸的牛而经常发生的滑稽变化。朝臣书法家三弘（Karasumaru Mitsuhiro）以一种反映贵族传统的风格呈现了禅宗主题，即在装饰纸上进行个人表达这首诗是三广自己的，取材于京都一座重要的禅寺Tōfukuji的一位十五世纪僧侣的一套诗。按照一种常见的文学实践，三广对诗歌的措辞进行了细微的修改，使其个性化，每一次修改都暗指经典来源。Mitsuhiro还巧妙地改变了附带图片的标准顺序。书法风格受到了三光的老师Hon’ami Kōetsu（1558–1637）的影响，他与三光一起在复兴17世纪初平安时期（794–1185）艺术的美学方面发挥了重要作用 Mitsuhiro是政治衰弱但在艺术上有影响力的天皇Go Mi zunō-333;（1596–1680）圈子里的主要人物。
介绍（英）	Ten waka (poems of thirty-one syllables) describing the various stages of spiritual awareness, from the initial search to final realization, are couched in the classic Zen parable Ten Ox-Herding Songs, which likens this vigorous human quest to the often comic vicissitudes of a herdboy in pursuit of an elusive ox. The courtier-calligrapher Karasumaru Mitsuhiro rendered the Zen theme in a style that reflects the aristocratic tradition of personally expressive writing on decorated paper. The poems, Mitsuhiro’s own, are based on a set by a fifteenth-century monk at Tōfukuji, an important Zen temple in Kyoto. Following a common literary practice, Mitsuhiro personalized the poems by making slight changes to their wording, each change alluding to classical sources. Mitsuhiro also subtly altered the standard sequence of accompanying pictures. The style of the calligraphy is influenced by that of Mitsuhiro’s teacher, Hon’ami Kōetsu (1558–1637), who with Mitsuhiro was instrumental in reviving the aesthetics of Heian-period (794–1185) art in the early seventeenth century. Mitsuhiro was a major figure in the circle of the politically enfeebled but artistically influential Emperor Go-Mi zunō-ō (1596–1680).