Onna San no Miya（三公主） - 美国大都会艺术博物馆展品查阅

品名（中）	Onna San no Miya（三公主）
品名（英）	Onna San no Miya (the Third Princess)
入馆年号	1929年，JP1638
策展部门	亚洲艺术（Asian Art）
创作者	Suzuki Harunobu【1725 至 1770】【日本人】
创作年份	公元 1700 - 公元 1868
创作地区
分类	印刷品（Prints）
尺寸	10 5/16 x 7 9/1 6英寸 (26.2 x 19.2 厘米)
介绍（中）	对于春信的老练赞助人来说，春日里宫女的这一看似平静的场景唤起了古典文学中最激动人心的悲剧之一。这位身着贵族服装的年轻女子带着她活泼的猫经常出现在浮世绘中，让人想起 11 世纪初源氏浪漫故事中的一个关键事件，源氏是"闪亮的王子"，是平安宫廷在个人和公共生活中审美敏感性和洞察力理想的化身。飘逸的长发和拖曳的长袍的洋娃娃般的身影让人想起天真年轻的帝国公主三之宫，她最近嫁给了年迈的源氏。在一个春日，她的猫跑到外面，打开竹帘，露出在花园里打球的年轻贵族。盛开的樱桃树枝暗示着环境，标志着爱情的开花以及不可避免的短暂持续时间。三之宫看到了英俊的柏木，源氏儿时的朋友的儿子。在青春和禁忌之爱的炼金术中，小说编织了激情和对社会违法行为的致命报应的主题，以强烈而悲惨的色调重新塑造了源氏自己的青春，春信视野中的甜蜜纯真相信了这种色调。
介绍（英）	For Harunobu's sophisticated patrons, this deceptively calm scene of a palace beauty on a spring day invoked one of classic literature's most stirring tragedies. The young woman in aristocratic garb with her lively cat appears frequently in ukiyo-e and recalls a pivotal incident in the early-eleventh-century romance of Genji, the "shining prince" who personified the Heian court's ideal of aesthetic sensitivity and discernment in the conduct of personal and public life. The doll-like figure with long flowing hair and trailing robe recalls the naive young imperial princess San no Miya, recently wed to the aging Genji. On a spring day, her cat ran outside, swinging open the bamboo blind and revealing the young nobles playing ball in the garden. A branch of cherry in full bloom suggests the setting and signals the flowering of love as well as its inevitably short duration. San no Miya caught sight of the handsome Kashiwagi, son of Genji's boyhood friend. In the alchemy of youth and forbidden love that transpires, the novel weaves the themes of passion and fateful retribution for social transgression, recasting Genji's own youth in intense and tragic tones that are believed by the sweet innocence in Harunobu's vision.