莱拉和玛尼恩 - 美国大都会艺术博物馆展品查阅

品名（中）	莱拉和玛尼恩
品名（英）	Laila and Majnun
入馆年号	1987年，1987.355.1
策展部门	伊斯兰艺术（Islamic Art）
创作者
创作年份	公元 1725 - 公元 1775
创作地区	归属于: 伊朗, 设拉子（Attributed to: Iran, Shiraz）
分类	绘画（Paintings）
尺寸	高 36 3/8 英寸 (92.4 厘米) 宽 33 7/8 英寸 (86 厘米) 深 3/4 英寸 (1.9 厘米)
介绍（中）	这幅画的顶部形状适合墙壁上的壁龛；这是八件装饰房间系列作品的一部分，所有作品都以伊朗著名诗人的爱情故事为主题。八幅油画中有七幅目前收藏在布鲁克林博物馆这幅画描绘了莱拉和马吉努恩的经典故事，因此最初会伴随着巴赫拉姆·古尔和阿扎达狩猎、胡斯劳发现希林沐浴、其他著名的波斯传说以及狩猎场景的图像。按照Laila和Majnun的既定形象，Majnun在这里被描绘成一个骨瘦如柴的年轻人，在Laila的父亲拒绝了他的求婚后，他退到了荒野，在那里他生活在动物的包围中画布油画技术于17世纪末传入伊朗，在18世纪得到进一步发展和完善，并在19世纪成为主要的表现媒介。在这幅画中，莱拉穿着赞德时期（1750-79）的典型服饰出现。
介绍（英）	The top of the painting is shaped to fit into a niche in a wall; it was part of a series of eight works made to decorate a room, all with the subject of love stories from famous Iranian poets. Seven of the eight paintings are currently in the collection of the Brooklyn Museum. This painting depicting the classic story of Laila and Majnun would therefore originally have been accompanied by images of Bahram Gur and Azada Hunting, Khusrau Discovering Shirin Bathing, and other well-known tales of Persian lore, as well as hunting scenes. Following the established imagery of Laila and Majnun, Majnun is shown here as a skeletal youth, who has retreated to the wilderness, where he lives surrounded by animals after his proposal of marriage is rejected by Laila’s father. The technique of oil painting on canvas, which was introduced into Iran in the late seventeenth century, was further developed and refined in the eighteenth century and became a major medium of expression in the nineteenth century. In this painting, Laila appears in clothing typical dress of the Zand period (1750–79).