带有建筑图案的笔盒 - 美国大都会艺术博物馆展品查阅

品名（中）	带有建筑图案的笔盒
品名（英）	Pen Box with Architectural Cartouches
入馆年号	2008年，2008.246a, b
策展部门	伊斯兰艺术（Islamic Art）
创作者	'Ali Ashraf【伊朗人】
创作年份	公元 1718 - 公元 1768
创作地区	归属于: 伊朗, 设拉子（Attributed to: Iran, Shiraz）
分类	油漆（Lacquer）
尺寸	长 9 1/2 英寸 (24.1 厘米) Depth. 1 1/4 英寸 (3.1 厘米)
介绍（中）	在18世纪和19世纪，伊朗见证了漆器生产的激增。彩绘漆器被视为理想的财产和地位象征，由皇室和精英赞助人委托，商业销售并大量出口到国外。漆画家对自己的个人风格感到非常自豪，他们通过签名和日期来证明自己的作品。这幅画是由一位名叫阿里·阿什拉夫（Ali Ashraf）的艺术家创作的，日期为A.H. 1156/A.D. 1743-44。阿里·阿什拉夫（'Ali Ashraf）是伊朗这一时期漆器上看到的gul-u-bulbul（鸟和花）图案的大师，他在一个紧密的圈子里工作，其中包括专门研究具有欧洲化风景的物体的哈吉·穆罕默德（Hajji Muhammad），以及他的兄弟穆罕默德·扎曼（Muhammad Zaman），他接受过培训。盒子上的签名写着"在穆罕默德之后，'阿里·阿什拉夫是最崇高的'"，这是对他的老师的双关语。他将鸢尾花与盒子装饰上的建筑观点相结合，可能是对穆罕默德·扎曼（Muhammad Zaman）著名的虹膜系列研究的致敬。
介绍（英）	During the 18th and 19th centuries, Iran witnessed a proliferation in the production of lacquer objects. Regarded as desirable possessions and status symbols, painted lacquerwares were commissioned by royal and elite patrons, sold commercially and exported abroad in quantity. Lacquer painters took great pride in their individual styles, which they demonstrated by signing and dating their works. This one has been created by an artist named `Ali Ashraf and dated A.H. 1156/A.D. 1743–44. A master of the gul-u-bulbul (bird-and-flower) motif seen on lacquer objects from this period in Iran, `Ali Ashraf worked in a tight-knit circle that included Hajji Muhammad, who specialized in objects with Europeanizing landscapes, as well as his brother Muhammad Zaman, under whom he trained. The signature on the box reads "After Muhammad, ‘Ali Ashraf is noblest", is a punning reference to his teacher. The irises he combined with architectural views on the box’s decoration are likely a nod to Muhammad Zaman’s well-known series of iris studies.