荒野修道院院长圣安东尼 - 美国大都会艺术博物馆展品查阅

品名（中）	荒野修道院院长圣安东尼
品名（英）	Saint Anthony the Abbot in the Wilderness
入馆年号	1975年，1975.1.27
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Osservanza Master【1425 至 1450】【意大利人】
创作年份	公元 1432 - 公元 1438
创作地区
分类	绘画（Paintings）
尺寸	整体 18 3/4 x 13 5/8 英寸 (47.6 x 34.6 厘米); painted surface 18 1/2 x 13 1/4 英寸 (47 x 33.7 厘米)
介绍（中）	这个小组是描绘隐士圣安东尼·阿伯特生活的一系列场景的一部分。画家对原始和描述性叙事细节的偏好表现在黄昏时分明亮的天空下对沙漠景观及其动物群（圣人诱惑的象征）的处理上。左下角的一罐金子（已被刮去）象征着这位坚定的圣人所抵制的诱人的世俗商品。这一系列的八块嵌板可能是垂直排列的，围绕着圣安东尼的中央绘画或雕刻图像。该建筑群可能是为锡耶纳Martinozzi家族的一名成员（他的手臂出现在其中一块面板上）委托奥古斯丁基金会建造的，该基金会位于锡耶纳或马尔凯地区，该家族的几个分支就位于那里该小组是八个小组中的第六个，其中包括圣安东尼弥撒（Gemäldegalerie，SMPK，柏林）；圣安东尼分配财富和圣安东尼被一位老隐士祝福（均为华盛顿特区特区国家美术馆）；《被魔鬼诱惑的女人》和《被魔鬼殴打的圣安东尼》（均为耶鲁大学美术馆，纽黑文）；以及《圣安东尼与隐士圣保罗的旅程与会面》和《圣安东尼·安东尼的葬礼》（均为华盛顿特区国家美术馆）。根据与其他锡耶纳艺术家在风格上的密切联系，这位神秘的观世音大师被不同程度地认定为萨塞塔（Sassetta）和年轻的圣彼得罗（Sano di Pietro）。也有可能，奥瑟万扎大师的画作，包括这幅面板的起源祭坛画，都是这些艺术家所属的合作工作室的产物。
介绍（英）	This panel is part of a cycle of scenes depicting the life of the hermit Saint Anthony Abbot. The painter's penchant for original and descriptive narrative detail appears in the treatment of the desert landscape and its fauna (symbols of the saint's temptations) beneath the luminous sky at dusk. A pot of gold in the lower left corner (which has been scraped away) symbolized the seductive worldly goods that the stalwart saint resists. The series of eight panels were likely arranged vertically, surrounding a central painted or sculpted image of Saint Anthony. The complex was probably commissioned for a member of the Sienese Martinozzi family (whose arms appear on one of the panels) for an Augustinian foundation, either in Siena or perhaps in the Marches region, where several branches of this family were located. This panel is the sixth in a series of eight that includes Saint Anthony at Mass (Gemäldegalerie, SMPK, Berlin); Saint Anthony Distributing His Wealth and Saint Anthony Blessed by an Old Hermit (both National Gallery of Art, Washington, D.C.); Saint Anthony Tempted by the Devil in the Guise of a Woman and Saint Anthony Beaten by Devils (both Yale University Art Gallery, New Haven); and Journey and Meeting of Saint Anthony with Saint Paul the Hermit and Funeral of Saint Anthony (both National Gallery of Art, Washington, D.C.). The enigmatic Osservanza Master has variously been identified as Sassetta and also as the young Sano di Pietro, based on close stylistic affinities with these other Sienese artists. It is also possible that the paintings attributed to the Osservanza Master, including the altarpiece from which this panel originated, are the product of a collaborative workshop to which these artists belonged.