圣弗朗西斯 - 美国大都会艺术博物馆展品查阅

品名（中）	圣弗朗西斯
品名（英）	Saint Francis
入馆年号	1975年，1975.1.50
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Sano di Pietro (Ansano di Pietro di Mencio)【1405 至 1481】【意大利人】
创作年份	公元 1450 - 公元 1459
创作地区
分类	绘画（Paintings）
尺寸	9 1/2 x 8 3/4 英寸 (24.1 x 22.2 厘米)
介绍（中）	圣方济各用右手打开了他修道时朴素的棕灰色习惯，露出了他侧面的伤口，与手上的伤口一起，代表了被钉十字架的基督奇迹般地印在他的手、脚和侧面的污名印记。这个面板和雷曼收藏中的另一个面板，描绘了圣贝纳迪诺（1975.1.46）的类似人物，最初属于同一个（未确定）祭坛画建筑群，很可能出现在壁柱的底部。雷曼兄弟的两块面板类似于萨诺·迪彼得罗在锡耶纳圣贝纳迪诺大教堂绘制的三联画的壁柱面板萨诺是一位广受欢迎且多产的锡耶纳画家和照明师。萨诺的作品与神秘的锡耶纳艺术家奥塞万扎大师（以上述锡耶纳奥塞万萨三联画命名）在风格上有着密切的相似性，这可能表明它们代表了一种单一的艺术身份。也有可能，奥塞万扎大师的画作是这些艺术家所属的合作工作室的产物。
介绍（英）	With his right hand, Saint Francis opens the plain brownish-gray habit of his monastic order to reveal the wound in his side, which along with those on his hands, represent the marks of the stigmata, the wounds of the crucified Christ which were miraculously imprinted on his hands, feet, and side. This panel and another in the Lehman Collection, which depicts a similar figure of San Bernardino (1975.1.46), originally belonged the same (unidentified) altarpiece complex, and likely appeared at the base of the pilasters. The two Lehman panels resemble the pilaster panels of the triptych painted by Sano di Pietro in the Basilica of San Bernardino all’Osservanza in Siena. Sano was a popular and highly prolific Sienese painter and illuminator. The close stylistic affinities between works attributed to Sano and the enigmatic Sienese artist known as the Osservanza Master (so-named after the above-mentioned triptych in the Osservanza in Siena) may indicate that they represent a single artistic identity. It is also possible that the paintings attributed to the Osservanza Master are the product of a collaborative workshop to which these artists belonged.