圣巴塞洛缪和西蒙 - 美国大都会艺术博物馆展品查阅

品名（中）	圣巴塞洛缪和西蒙
品名（英）	Saints Bartholomew and Simon
入馆年号	1975年，1975.1.104
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Master of Saint Francis【1250 至 1275】【意大利人】
创作年份	公元 1250 - 公元 1275
创作地区
分类	绘画（Paintings）
尺寸	18 3/4 x 9 英寸 (47.6 x 22.9 厘米)
介绍（中）	这幅画是雷曼收藏中最早的意大利画作，是十三世纪第三季度最伟大的意大利祭坛画之一的一部分。这幅双面祭坛画可能是为佩鲁贾的圣弗朗西斯科·普拉托教堂的主祭坛委托的。这幅面板——与圣弗朗西斯（佩鲁贾国家美术馆）、圣詹姆斯和福音传教士圣约翰（均为华盛顿特区国家美术馆）、圣马修（佩鲁贾国家美术馆）和圣彼得（私人收藏）——构成了主祭坛画一张面的左侧;另一张脸的右侧描绘了以赛亚（特索罗·迪·圣弗朗西斯科，阿西西），以及证词、哀歌和圣安东尼（佩鲁贾国家美术馆）。上角拱肩中的通迪通过帆布地面切入面板，并在石膏底漆上着色。它们最初就像佩鲁贾这幅祭坛画的面板拱肩一样，装满了彩色和镀金玻璃。祭坛画陈列在早期基督教石棺上方，石棺包含圣弗朗西斯的追随者比托·埃吉迪奥（Beato Egidio，约 1261 年）的尸体。彩绘拱门和祭坛板上人物的配置与石棺的雕刻浮雕相呼应。圣弗朗西斯大师还负责另一个非常重要的方济各会委员会：阿西西圣弗朗西斯科下教堂中殿的壁画循环。
介绍（英）	The earliest Italian painting in the Lehman Collection, this panel formed part of one of the greatest Italian altarpieces of the third quarter of the thirteenth century. The double-sided altarpiece was probably commissioned for the main altar of the church of San Francesco al Prato in Perugia. This panel—with Saint Francis (Galleria Nazionale, Perugia), Saint James and Saint John the Evangelist (both National Gallery of Art, Washington, D.C.), Saint Matthew (Galleria Nazionale, Perugia), and Saint Peter (private collection)—formed the left side of one face of the main altarpiece; the right side of the other face depicted Isaiah (Tesoro di San Francesco, Assisi), and the Deposition, the Lamentation, and Saint Anthony (all Galleria Nazionale, Perugia). The tondi in the spandrels at the upper corners are cut into the panel through the canvas ground and are pigmented on gesso priming. They were originally, like the spandrels of the panels from this altarpiece at Perugia, filled with colored and gilded glass. The altarpiece was displayed above an early Christian sarcophagus containing the body of Saint Francis's follower, the Beato Egidio (ca. 1261). The painted arches and the disposition of the figures in the altarpiece panels echoes the sculpted reliefs of the sarcophagus. The Master of Saint Francis was also responsible for another highly significant Franciscan commission: a fresco cycle in the nave of the Lower Church of San Francesco at Assisi.