艺术批评讽刺 - 美国大都会艺术博物馆展品查阅

品名（中）	艺术批评讽刺
品名（英）	Satire on Art Criticism
入馆年号	1975年，1975.1.799
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Rembrandt (Rembrandt van Rijn)【1606 至 1669】【荷兰人】
创作年份	公元 1644
创作地区
分类	图画（Drawings）
尺寸	6 1/8 x 7 15/16 英寸 (15.5 x 20.1 厘米)
介绍（中）	伦勃朗的《艺术批评讽刺》是一部非典型的创作题材和手法，讽刺了当代艺术评论家的修辞手法。这位故作姿态的"鉴赏家"对他面前的画像留下了评论。伦勃朗的作品取材于一个古典主题"阿佩莱的诽谤"，他从文艺复兴时期大师安德里亚·曼泰格纳（Andrea Mantegna，1430/31-1506）的一幅作品中得知了这一点。在曼泰格纳的画作中，美丽的诽谤在《背叛和欺骗》的推动下，将一个无辜的青年拖到了一个背负着驴子耳朵的法官面前，他是诽谤的受害者；法官身边是无知和怀疑，忏悔和真相在背景中挥之不去。在这里，伦勃朗减少了拟人化的数量，并把他们变成了穿着当代服装的旁观者。他用两幅画像代替了接受判决的受害者。这幅画仍然有些神秘，因为评论家平台上和框架画上的铭文不容易阅读，也不一定在伦勃朗手中。
介绍（英）	An atypical subject and approach to composition, Rembrandt's "Satire on Art Criticism" buffoons the rhetoric of his contemporary art critics. The posturing "connoisseur" at left comments on painted portraits brought before him. Rembrandt has drawn his composition from a classical subject, "The Calumny of Apelles", which he knew from a drawing by the Renaissance master Andrea Mantegna (1430/31-1506). In Mantegna's drawing the beautiful Calumny, urged on by Treachery and Deceit, drags an innocent youth who is the victim of slander before a judge bearing the ears of an ass; the judge is flanked by Ignorance and Suspicion, and Repentance and Truth linger in the background. Here Rembrandt has reduced the number of personifications and transformed them into onlookers in contemporary dress. He has substituted two painted portraits for the victim receiving judgment. The drawing remains somewhat enigmatic, since the inscriptions on the critic's platform and on the framed painting cannot be read easily, nor are they surely in Rembrandt's hand.