带有象牙十字架场景的面板 - 美国大都会艺术博物馆展品查阅

品名（中）	带有象牙十字架场景的面板
品名（英）	Panel with an Ivory Crucifixion Scene
入馆年号	1917年，17.190.33
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1075 - 公元 1100
创作地区	制造于: 西班牙, 阿拉贡（？）（Made in: Spain, Aragon (?)）
分类	常春藤（Ivories）
尺寸	整体: 10 1/4 x 7 1/2 x 1 1/4 英寸 (26.1 x 19 x 3.1 厘米) Ivory Corpus: 2 7/8 x 2 11/16 x 9/16 英寸 (7.3 x 6.8 x 1.5 厘米)
介绍（中）	这个面板最初可能是一本神圣书籍的华丽封面。它融合了各种昂贵的材料和精致的艺术技巧，代表了中世纪人们非常珍视的那种奢华的多媒体作品。虽然许多曾经装饰框架的石头、玻璃和珐琅饰品已经失传，但中心的十字架场景大多完好无损，包括单独雕刻的象牙人像，背景是以十字架为主的镀金银背。耶稣是最大、体积最大的人物，两侧是他的母亲玛丽和福音传道者圣约翰。此外，两个匿名的哀悼者在十字架上盘旋，占据了通常为太阳和月亮或成对天使指定的空间从金属表面背面锤出的简短铭文在十字架顶部提供了拿撒勒耶稣的缩写名称，在底部提供了"Felicia Regina"字样。因此，这块牌匾命名了这件作品的可能专员，阿拉贡和潘普洛纳女王（现代西班牙北部的一部分）。11世纪末在位的费利西亚女王可能将这幅面板与一件密切相关的配套作品一起制作，该作品也在大都会博物馆的收藏中（17.190.134），并将两者赠送给了圣克鲁斯-德拉塞罗修道院。该修道院位于阿拉贡首都雅克萨附近，与王室关系密切，欢迎许多女性成员加入其社区支撑金属制品护套的木芯似乎是中世纪后的替代品。
介绍（英）	This panel originally may have served as the sumptuous cover of a sacred book. Incorporating a variety of costly materials and refined artistic techniques, it represents the kind of luxurious multimedia work much prized by medieval people. While many of the stone, glass, and enamel ornaments that once embellished the frame have been lost, the central Crucifixion scene survives mostly intact, comprising individually-carved ivory figures set against a gilded silver backing dominated by the cross. Jesus, the largest and most volumetric figure, is flanked by his mother Mary and Saint John the Evangelist. Additionally, two anonymous mourning figures hover over the cross, occupying spaces typically designated for the sun and moon or pairs of angels. Short inscriptions hammered from the back of the metal surface provide the abbreviated name of Jesus of Nazareth at the top of the cross and, at the base, the words "Felicia Regina." The plaque thus names the likely commissioner of this work, Queen Felicia of Aragon and Pamplona (part of modern-day northern Spain). Queen Felicia, who reigned during the late eleventh century, may have had the panel made together with a closely related companion piece also in the Met’s collection (17.190.134), gifting both to the convent of Santa Cruz de la Serós. The convent, located near the Aragonese capital of Jaca, had close ties to the royal family and welcomed many female members of the family into its community. The wooden core supporting the metalwork sheath seems to be a post-medieval replacement.