《埃马努斯之旅》和《诺丽·我·丹吉尔之旅》牌匾 - 美国大都会艺术博物馆展品查阅

品名（中）	《埃马努斯之旅》和《诺丽·我·丹吉尔之旅》牌匾
品名（英）	Plaque with the Journey to Emmaus and Noli Me Tangere
入馆年号	1917年，17.190.47
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1115 - 公元 1120
创作地区	制造于: 西班牙, 莱昂（Made in: Spain, León）
分类	常春藤（Ivories）
尺寸	整体: 10 5/8 x 5 1/4 x 3/4 英寸 (27 x 13.4 x 1.9 厘米) Weight: 30.5盎司 (866g)
介绍（中）	根据福音书，耶稣在复活后多次向他的门徒显现，包括在从耶路撒冷到以马忤斯的路上。在这块牌匾顶部的相遇中，门徒们哀叹被钉十字架，而耶稣则解释了他牺牲的救赎性质。下面，耶稣向抹大拉的马利亚显现，她起初以为自己是一个园丁。当她认出他时，他告诉她不要碰他（noli me tangere），因为扬升还没有发生。旋转的帷幔、细长的身体和强调的手势传达了这些奇迹事件的戏剧性，并将牌匾与朝圣路上的重要皇家城市莱昂的作品联系起来。这个珍贵的象牙雕刻是一个更大的合奏的一部分，也许是一个圣物神殿，装饰着耶稣生平的其他场景。
介绍（英）	According to the Gospels, Jesus appeared to his disciples several times after the Resurrection, including on the road from Jerusalem to Emmaus. In the encounter, represented at the top of this plaque, the disciples lament the Crucifixion, while Jesus explains the redemptive nature of his sacrifice. Below, Jesus appears to Mary Magdalene, who at first thinks he is a gardener. When she recognizes him, he tells her not to touch him (noli me tangere) since the Ascension has not yet occurred. The swirling drapery, elongated bodies, and emphatic gestures convey the drama of these miraculous events and relate the plaque to works produced in León, an important royal city on the pilgrimage road. This precious ivory carving was part of a larger ensemble, perhaps a reliquary shrine decorated with other scenes from the life of Jesus.