天使摇摆式截屏 - 美国大都会艺术博物馆展品查阅

品名（中）	天使摇摆式截屏
品名（英）	Angels Swinging Censers
入馆年号	1977年，1977.346.1
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1165 - 公元 1175
创作地区	制造于: 特鲁瓦（Made in: Troyes）
分类	玻璃染色（Glass-Stained）
尺寸	18 1/2 x 17 5/16 英寸 (47 x 44 厘米)
介绍（中）	十二世纪末为特鲁瓦的圣埃蒂安学院教堂生产的彩色玻璃代表了从罗马式风格到哥特式风格的重大转变。自从教堂在法国大革命后被摧毁以来，从公共生活和基督受难记、圣母的休眠到米拉的圣尼古拉斯的生活，这些曾经是一个雄心勃勃的场景循环中的面板都没有保留在原来的环境中。这些玻璃现在分散在欧洲和美国的公共和私人收藏中。博物馆的圣天使面板符合连接半圆的窗户设计，其整体主题是圣母的休眠。在这里，这对天使从相连的弧线上移开，以非凡的精度绘制，地面上装饰着精美的丽珠图案。人物的有机衔接和惊人的平衡色彩与手稿照明和珐琅作品中的效果相似。然而，正是窗帘的人字形褶皱散发着金属般的精准感，尤其值得与最初在法国北部接受培训的照明师在香槟生产的一组当代手稿进行比较。与莫桑珐琅作品的风格联系也表明，这位特鲁瓦艺术家吸收了十二世纪彩色玻璃绘画中不寻常的技术、颜色关系和人物类型。
介绍（英）	The stained glass produced for the Collegiate Church of Saint-Étienne in Troyes during the late twelfth century represents a major transition from the Romanesque to the Gothic style. None of the panels from what was once an ambitious cycle of scenes—ranging in theme from the public life and Passion of Christ and the Dormition of the Virgin to the life of Saint Nicholas of Myra—remains in its original setting, since the church was destroyed in the wake of the French Revolution. The glass is now scattered in public and private collections in Europe and America. The Museum's panel of censing angels conforms to a window design of connected semicircles, whose overall subject was the Dormition of the Virgin. Here, the pairs of angels, seen moving away from the connected arcs, are painted with an exceptional precision, against a ground decorated with a fine pattern of rinceaux. The organic articulation of the figures and the strikingly balanced colors are analogous to effects found in both manuscript illumination and enamel work. However, it is the chevron-shaped folds of the drapery, which radiate with a metallic precision, that especially invite comparison to a group of contemporary manuscripts produced in Champagne by illuminators originally trained in northern France. Stylistic links with Mosan enamel work also demonstrate that the Troyes artist had assimilated techniques, color relationships, and figure types uncharacteristic of twelfth-century stained-glass painting.