站着的圣母和孩子 - 美国大都会艺术博物馆展品查阅

品名（中）	站着的圣母和孩子
品名（英）	Standing Virgin and Child
入馆年号	1996年，1996.14
策展部门	修道院（The Cloisters）
创作者	Niclaus Gerhaert von Leyden【1462 至 1473】【北荷兰人】
创作年份	公元 1467 - 公元 1473
创作地区	制造于: 奥地利, 可能是维也纳（Made in: Austria, probably Vienna）
分类	雕塑木（Sculpture-Wood）
尺寸	13 1/4 x 5 1/8 x 3 9/16 英寸 (33.6 x 13 x 9.1 厘米)
介绍（中）	Niclaus Gerhaert是Albrecht Dürer之前一代的开创性艺术家，可能出生于莱顿，活跃于斯特拉斯堡和维也纳，以及它们之间的几个城市。他的三件签名作品为人所知，只有包括这件雕塑在内的四件作品被认为是他创作的小雕像通过对细粒木材的非凡雕刻，表达了戏剧、纪念碑和优雅的结合感。精细的线性细节和纹理对比衬托出复杂窗帘褶皱的节奏和平衡。在微妙地增强形体的自然主义细节中，有一个是圣母的指尖压在孩子胖乎乎的肉上的微妙方式。作为一种私人奉献的对象，也是使用黄杨木的悠久传统的一部分，它很可能是由维也纳的一位宫廷成员委托制作的。深色底座背面印有杜勒字母组合和日期，日期较晚。孩子的双臂和左手拿着的那部分窗帘都是替代品。
介绍（英）	Niclaus Gerhaert, a seminal artist of the generation preceding Albrecht Dürer’s, was presumably born in Leiden and was active in Strasbourg and Vienna, as well as in several cities between them. Three of his signed works are known and only four others, including this sculpture, have been seriously ascribed to him. The statuette expresses a combined sense of drama, monumentality, and elegance through the extraordinarily accomplished carving of the fine-grained wood. The rhythm and balance of the complex drapery folds are set off by fine linear detail and textural contrasts. Among the naturalistic details that subtly enhance the forms is the delicate manner in which the Virgin’s fingertips press into the chubby flesh of the Child. Intended as an object of private devotion, and part of a long tradition in the use of boxwood for this purpose, it may well have been commissioned by a member of the imperial court in Vienna. The dark base, with a fictive Dürer monogram and date on the back, is of later date. Both arms of the Child and the section of drapery held in his left hand are replacements.