哀歌 - 美国大都会艺术博物馆展品查阅

品名（中）	哀歌
品名（英）	The Lamentation
入馆年号	1961年，61.200.2
策展部门	修道院（The Cloisters）
创作者	Master of the Codex of Saint George【1310 至 1335】【意大利人】
创作年份	公元 1330 - 公元 1335
创作地区	制造于: 法国, 可能是阿维尼翁（Made in: France, probably Avignon）
分类	绘画面板（Paintings-Panels）
尺寸	整体: 18 x 11 3/4 英寸 (45.7 x 29.8 厘米) Painted surface: 15 5/8 x 10 5/8 英寸 (39.7 x 27 厘米)
介绍（中）	这幅精美的彩绘面板上悲伤的面孔和大胆的手势，在纯金的背景下突出显示，戏剧性地传达了基督受难的情感。这幅图版及其配套作品（参考编号61.200.1）是所谓的圣乔治法典大师为数不多的幸存作品之一，他以他现在在梵蒂冈城的梵蒂冈文献馆（Biblioteca Apollistica Vaticana）中照亮的一个missal命名。尽管圣乔治法典大师在佛罗伦萨接受训练，但他职业生涯的大部分时间都在阿维尼翁度过，1309年至1377年，阿维尼翁是教皇宫廷的所在地，在那里他吸收了当时锡耶纳和法国绘画的特点这些嵌板曾经被认为构成了一个完整的虔诚的三联画，但仔细检查发现，它们最初是一个折叠三联画的一部分，可能由六块像手风琴一样排列的嵌板组成，成对的嵌板面对面地叠在一起。这一周期很可能始于《报喜》和《耶稣诞生》（两者都不见了），继续于两个回廊面板，并以《复活》和《圣母加冕礼》（均为佛罗伦萨国家巴杰罗博物馆）结束。
介绍（英）	The grieving faces and bold gestures on this exquisitey painted panel, highlighted against a stark gold ground, dramatically convey the emotion of the Passion of the Christ. This panel, along with its companion (acc. no. 61.200.1), are among the few surviving works by the so-called Master of the Codex of Saint George, who is named for a missal he illuminated now in the Biblioteca Apolistica Vaticana, Vatican City. Although trained in Florence, the Master of the Codex of Saint George spent much of his career in Avignon, home of the papal court from 1309 to 1377, where he assimilated characteristics of Sienese and French paintings of the period. The panels were once thought to constitute a complete devotional diptych, but careful examination has shown that they were originally part of a folding polyptych probably composed of six panels organized in an accordion-like fashion, with the pairs of panels closing over one another face-to-face. The cycle likely began with the Annunciation and the Nativity (both missing), continued with the two Cloisters panels, and concluded with the Resurrection and the Coronation of the Virgin (both Museo Nazionale del Bargello, Florence).