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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)天琴座的翅膀
品名(英)Lyraflügel
入馆年号1968年,68.47
策展部门乐器Musical Instruments
创作者Johann Christian Schleip (1786–1848)【1786 至 1846】【德国人】
创作年份公元 1825 - 公元 1844
创作地区德国, 柏林(Germany, Berlin)
分类齐瑟敲击钢琴(Chordophone-Zither-struck-piano)
尺寸高 7' 3"; 宽 49 英寸, 深 2 ft. Case L (perpendicular to keyboard): 60.3 厘米 (23 3/4 英寸) Case W (parallel to keyboard): 124 厘米 (48 13/16 英寸) Total H: 222.5 厘米 (87 5/8 英寸)
介绍(中)这种类型的立式钢琴在1820年至1850年间几乎完全在柏林制造。Lyraflügel是德国北部中产阶级比德迈客厅的时尚装置。在拿破仑占领时期(1806-13),七弦琴已成为自由和解放的象征。它在
诗人西奥多·科尔纳(Theodor Körner,1791-1813 年)的爱国诗集《七弦琴与剑》的歌曲中广为流传。这些歌曲不仅参考了俄耳甫斯和阿波罗的七弦琴,还参考了弗里德里希席勒的自由和从暴政中解放出来的思想,被传唱了几十年。七弦琴成为一个广泛的标志,作为装饰品,作为七弦琴吉他,或者在这里,作为钢琴踏板的框架。 Schleip是Lyraflügel的主要制造商,甚至在1820年声称自己是其发明者。早期的Lyraflügel仍然有膝盖杠杆和直腿。


从大约 1825 年开始,施莱普建造了它,就像这里一样,带有踏板。最后,大约在 1832 年,他开始制造带有悬挂动作的更重的乐器。它的三个踏板用于una corda,巴松管效果和释放阻尼器。该乐器的一个技术特点是音板仅悬挂在右侧,以便其左侧可以像音叉一样自由振动。为了平衡低音和高音之间的音量并防止低音变得太沉闷,音板的低音侧被省略了。最后,为了进一步实现声音的和谐与美感,琴弦、音板的纹理和支撑结构的横梁以相同的角度相互平行。

技术描述:指南针。CC 到 a(上标 4)(六个八度和一个六度)。三个踏板(左起)una corda,巴松管(至g²),阻尼器;四条木腿上的桃花心木或蓝花楹贴面小表壳,末端为金属爪脚;镀金七弦七弦琴的上壳形状,横杆和琴身上饰有雕刻的树叶,凹槽臂两端终止于格里芬的头部,丝绸正面;琴键,象牙色天然,乌木尖器,名牌中央的白色铭牌,边缘是镶嵌锭形带,重复在键盘两侧。
介绍(英)This type of upright piano was made almost exclusively in Berlin between 1820 and 1850. The Lyraflügel was a fashionable fixture of middle-class Biedermeier parlors in northern German lands. In the period of the Napoleonic occupation (1806–13), the lyre had become a symbol of freedom and liberation. It was popularized in songs based on the collection of patriotic poems, With Lyre and
Sword, by the poet Theodor Körner (1791–1813). These songs, with their references not only to the lyres of Orpheus and Apollo but also to Friedrich Schiller’s ideas of freedom and liberation from tyranny, were sung for decades. The lyre became a widespread emblem, as ornament, as lyre guitar, or, here, as frame for the piano pedals. Schleip was the principal manufacturer of the Lyraflügel, even claiming in 1820 to be its inventor. The early Lyraflügel still had knee levers and straight legs.


From about 1825 on, Schleip built it, as here, with pedals. Finally, in about 1832 he began building heavier instruments with hanging actions. Its three pedals are for una corda, bassoon effect, and release of the dampers. A technical particularity of the instrument is that the sound board is suspended only on the right side so that its left side can vibrate freely like a tuning fork. To balance the volume between bass and treble and to prevent the bass from becoming too dull, the bass side of the sound board is spared. Finally, to further the harmony and beauty of the sound, the strings, the grain of the sound board, and the beams of the supporting structure run parallel to each other at the same angle.

Technical description: Compass. CC to a(superscript 4) (six octaves and a sixth). Three pedals (from left) una corda, bassoon (to g²), damper; lower case of mahogany or jacaranda veneer on four wooden legs terminating in metal claw feet; upper case in shape of gilded seven-string lyre, decorated with carved foliage on cross-bar and body, fluted arms terminating in griffin's head at each end, silk front; keys, ivory naturals, ebony sharps, white name-plate in center of nameboard bordered by marquetry lozenge band, repeated on sides of keyboard.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。