山地景观 - 美国大都会艺术博物馆展品查阅

品名（中）	山地景观
品名（英）	Mountain Landscape
入馆年号	2015年，2015.300.51.1, .2
策展部门	亚洲艺术（Asian Art）
创作者	Tenshō Shūbun【1414 至 1463】【日本人】
创作年份	公元 1414 - 公元 1463
创作地区
分类	绘画（Paintings）
尺寸	60 5/8 英寸 × 9 ft. 6 3/16 英寸 (154 × 290 厘米) 整体 with mounting: 68 英寸 × 9 ft. 11 11/16 英寸 (172.7 × 304 厘米)
介绍（中）	在中世纪晚期的京都，阿势贺幕府圈子里的文化精英对中国水墨画特别感兴趣。他们贪婪地收集中国大师的作品，并委托日本画家创作他们中国祖先风格的作品。构成这对屏风的构图灵感来自中国南宋宫廷画家夏桂（活跃于约1195-1230年），他的作品在中世纪的日本备受推崇。用粗轮廓线描述的岩石形式，用"斧头切割"的笔触纹理化，并以"苔藓点"为重点，以及成对的前景树木，日本观众很快就认出是夏规风格绘画的元素。尽管后来画家加野康信（1614年至1685年）的铭文将原艺术家命名为京都画家TenshōShúbun，但这些画 实际上并不是作为一对创建的。相反，它们是两部独立作品的后期组合，两者都是 由Shúbun之后不久活跃的艺术家创作。
介绍（英）	In late medieval Kyoto, cultural elites in the circle of the Ashikaga shoguns were especially interested in Chinese ink paintings. They voraciously collected works by Chinese masters and commissioned Japanese painters to create works in the style of their Chinese forebears. The compositions that make up this pair of screens are inspired by the Southern Song Chinese court painter Xia Gui (active ca. 1195–1230), whose works were highly prized in medieval Japan. Rock forms described with thick contour lines, textured by “axe-cut” brushstrokes and accented with “moss dots,” as well as paired foreground trees were immediately recognizable to the Japanese audience as elements of Xia Gui–style painting. Although later inscriptions by the painter Kano Yasunobu (1614–1685) name the original artist as the Kyoto painter Tenshō Shūbun, the paintings were not actually created as a pair. Rather, they are a later combination of two separate works, both by artists active shortly after Shūbun.