哈特谢普苏特大跪雕像 - 美国大都会艺术博物馆展品查阅

品名（中）	哈特谢普苏特大跪雕像
品名（英）	Large Kneeling Statue of Hatshepsut
入馆年号	1929年，29.3.1
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 1473
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 261.5 厘米 (102 15/16 英寸); 宽 80 厘米 (31 1/2 英寸); 深 137 厘米 (53 15/16 英寸)
介绍（中）	在Deir el Bahri哈特谢普苏特神庙的上层露台上，中央圣地是献给阿蒙热神的，阿蒙热的主要礼拜场所是位于尼罗河对岸、河流东岸的卡纳克神庙。在一年一度的节日"美丽的山谷盛宴"期间，上帝的形象被运过河流到达西岸。节日游行队伍手持神圣的吟游诗人，沿着一条两旁是狮身人面像的道路行进，这条道路通向哈特谢普苏特的神庙。在中间的露台上，小路两侧是巨大的跪像，这些跪像代表着哈特谢普苏特是理想的埃及国王——一个正值壮年的年轻人一些雕像被描绘成戴着上埃及的白色王冠（30.3.1）。其他的，比如这个和30.3.2，戴上nemes头巾。哈特谢普苏特还戴着假胡子和shendyt方格呢短裙，这是国王服饰的一部分。从她的侧面看，可以看到固定假胡子的带子（图1）。这尊雕像上的铭文表明哈特谢普苏特正在供奉阿蒙Maat（翻译为秩序、真理或正义）哈特谢普苏特通过献上这一祭品，确认玛特是她统治时期的指导原则这些雕像的碎片是由博物馆的埃及探险队在几个季节的挖掘中发现的。雕像在现场尽可能多地重新组装（见附件照片）。在发现物的划分中，最完整的例子被送往开罗的埃及博物馆。交给大都会博物馆的雕像碎片是在纽约重建的，方法是将它们固定在金属电枢上，并用石膏填充缝隙（图2-4）。尽管石膏经过着色与石头混合，但可以将原始石头碎片与石膏填充物区分开来。
介绍（英）	On the upper terrace of Hatshepsut's temple at Deir el-Bahri, the central sanctuary was dedicated to the god Amun-Re, whose principal place of worship was Karnak temple, located across the Nile, on the east bank of the river. During a yearly festival, called the Beautiful Feast of the Valley, the god's image was transported across the river to the west bank. Carrying the god in his sacred barque, the festival procession followed a roadway lined with sphinxes that led to Hatshepsut’s temple. On the middle terrace, the pathway was flanked by colossal kneeling statues that represented Hatshepsut as the ideal Egyptian king - a young man in the prime of life. Some of the statues were depicted wearing the white crown of Upper Egypt (30.3.1). Others, like this one and 30.3.2, wear the nemes-headcloth. Hatshepsut also wears the false beard and shendyt-kilt that are part of the regalia of a king. Looking at the side of her face it's possible to see the strap that holds this false beard in place (fig. 1). The inscription on this statue indicates that Hatshepsut is offering Amun Maat (translated as order, truth, or justice). By making this offering, Hatshepsut affirms that Maat is the guiding principal of her reign. The fragments of these statues were discovered during several seasons of excavations by the Museum’s Egyptian Expedition. The statues were reassembled as much as possible in the field (see attached photographs). In the division of finds, the most complete examples were sent to the Egyptian Museum in Cairo. Fragments of the statues given to the Metropolitan Museum were reconstructed in New York by attaching them to metal armatures and filling in the gaps with plaster (Figs. 2–4). Although the plaster has been tinted to blend with the stone, it is possible to distinguish the original stone fragments from the plaster fill.