哈雷姆哈布作为国王的抄写员 - 美国大都会艺术博物馆展品查阅

品名（中）	哈雷姆哈布作为国王的抄写员
品名（英）	Haremhab as a Scribe of the King
入馆年号	1923年，23.10.1
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 1336 - 公元前 1323
创作地区	据说来自: （Said to be from: ）
分类
尺寸	h. 113 厘米 (44 1/2 in); w. 71 厘米 (27 15/16 in); d. 55.5 厘米 (21 7/8 in)
介绍（中）	Haremhab是图坦卡蒙领导下的一名皇家抄写员和军队将领。他在阿雅统治期间继续服役，最终继承了阿雅的王位。这尊雕像是在哈里姆哈布登基之前制作的。通过将自己描绘成一名抄写员，Haremhab宣称自己是有文化的精英群体之一，从而遵循了一千多年前将伟大的官员描绘成有智慧和有学问的人的传统他坐得笔直，但很放松，目光微微向下。他跪在地上，展开一幅纸莎草卷轴，上面写着一首赞美诗，献给抄写员的赞助人Thoth神。他的左膝上放着一个装有墨水的贝壳。在他的左肩上是一条带子，两端都连接着一个微型抄写员工具包。阿蒙神的雕像刻在他的前臂上，也许是纹身在这尊雕像中，没有衬里的年轻面孔被大肚子和乳房下的褶皱所掩盖。这些艺术惯例表明这个主题已经到了智慧的时代。尽管涂鸦姿势展现了所有正式埃及雕像常见的正面方向，但由于它没有后柱，因此作为一件圆形雕塑，它可能会被更充分地欣赏。年轻的面孔反映了许多描绘图坦卡蒙（50.6）的雕像上的特征，这座真人大小的宏伟雕塑的风格保留了早期阿玛纳时期的一些柔和和自然主义，同时也期待着后来的拉美西斯艺术。链接到一个关于古埃及抄写员的博客显示迹象：伊尔蒂森石碑上的象形文字和调色板
介绍（英）	Haremhab was a royal scribe and general of the army under Tutankhamun. He continued to serve during the reign of Aya and eventually succeeded Aya as king. This statue was made before Haremhab ascended the throne. By having himself depicted as a scribe, Haremhab declares himself to be among the elite group of literate individuals, thus following a tradition more than a thousand years old of depicting great officials as men of wisdom and learning. He sits erect, but relaxed, his gaze slightly down. Across his knees he unrolls a papyrus scroll on which he has composed a hymn to the god Thoth, patron of scribes. A shell containing ink lies on his left knee. Over his left shoulder is a strap with a miniature scribe's kit attached to each end. A figure of the god Amun is incised on his forearm, perhaps indicating a tattoo. In this statue the unlined, youthful face is belied by the potbelly and the folds of flesh beneath the breasts. These artistic conventions indicate that the subject has reached the age of wisdom. Although the scribal pose exhibits the frontal orientation common to all formal Egyptian statue, it may be appreciated more fully as a piece of sculpture in the round since it has no back pillar. The youthful face reflects the features seen on many statues depicting Tutankhamun (50.6), and the style of this magnificent life-size sculpture retains some of the softness and naturalism of the earlier Amarna period while looking forward to later Ramesside art. Link to a blog about scribes in Ancient Egypt Showing Signs: Hieroglyphs and Palettes in the Stela of Irtisen