覆盖 - 美国大都会艺术博物馆展品查阅

品名（中）	覆盖
品名（英）	Shroud
入馆年号	1926年，26.5
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元 125
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	L 160 × 宽 101.4 厘米 (63 × 39 15/16 英寸) Framed: 高 164.5 × 宽 104.5 × 深 5.1 厘米 (64 3/4 英寸 × 41 1/8 英寸 × 2 英寸)
介绍（中）	从垂直方向看，这件裹尸布有一个建筑结构，顶部有一条眼镜蛇的雕带和一个有翼的太阳盘，女性形象两侧的场景都像站在门口一样。放在仰卧的木乃伊身上，自然绘画的半身像会躺在脸上，神的面板会沿着它的两侧覆盖那女人红润的脸和大大的眼睛引人注目。一根长骨或象牙针将她的头发固定在头顶，她一只手拿着一个小花环。在她的腹部，伊西斯（Isis）和奈弗提斯（Nephthys）哀悼，在她的下半身，放置着晚期保护性装饰的长绳以及一件网衣。她头两侧的柱子都是对奥西里斯神的召唤，但她的名字已经不见了侧板是成对的，显示女神伊西斯和Nephthys是红风筝（一种与鹰有关的鸟）；四个木乃伊形状的"荷鲁斯之子"与身体的完整性联系在一起；与中转站和墓地有关的豺狼；Thoth ibis和Horus猎鹰；在最底层的场景中，由荷鲁斯和阿努比斯带领的死去的女人进入了死后有趣的是，一位专家指出，女性在制作裹尸布时可能比传统更有灵活性，并且可能更频繁地尝试"新"希腊罗马自然主义。
介绍（英）	Viewed vertically this shroud has an architectural structure with a frieze of uraeus-cobras and a winged sun disk across the top, and registers of scenes down either side of the female figure as if she stood in a doorway. Placed over the supine mummy the naturalistic painted bust would lie over the face, and the panels of gods would have been draped along its sides. The woman’s rosy face and large eyes are striking. A long bone or ivory pin holds coils of her hair in place on top of her head, and she holds a small wreath in one hand. Over her abdomen Isis and Nephthys mourn, and over her lower body are placed the long strands of the late protective ornament as well as a net garment. Columns on either side of her head are invocations to the god Osiris, but her name is lost. The side panels are paired, showing the goddesses Isis and Nephthys as red kites (a bird related to the hawk); the four mummy-shaped “sons of Horus” associated with the bodily integrity; jackals associated with transit and cemetery; the Thoth-ibis and the Horus-falcon; and at the bottom scenes of the dead woman led by Horus and alternatively Anubis into the afterlife. Interestingly, one specialist has noted that women may have had more flexibility in relation to tradition when creating shrouds, and might experiment more often with the ‘new’ Greco-Roman naturalism.