“带书写套装和梅花的书桌”，出自浅草集团的伊势日历系列（浅草川伊势五洋美）摘自《春雨集》第2卷 - 美国大都会艺术博物馆展品查阅

品名（中）	“带书写套装和梅花的书桌”，出自浅草集团的伊势日历系列（浅草川伊势五洋美）摘自《春雨集》第2卷
品名（英）	“Desk with Writing Set and Plum Flowers,” from the series Ise Calendars for the Asakusa Group (Asakusa-gawa Ise goyomi) From the Spring Rain Collection (Harusame shū), vol. 2
入馆年号	1929年，JP2140
策展部门	亚洲艺术（Asian Art）
创作者	Kubo Shunman【1757 至 1820】【日本人】
创作年份	公元 1814
创作地区
分类	印刷品（Prints）
尺寸	8 1/4 x 7 3/8 英寸 (21 x 18.7 厘米)
介绍（中）	Surimono是私人出版的木版印刷品，通常由个人诗人或诗歌团体委托制作，作为新年贺卡的一种形式。刻在版画上的诗歌，最常见的是kyōka（诙谐的三十一音节诗），通常包括与春天有关的恰当意象，春天在农历正月初一开始。surimon的主题通常是博学的，经常在文本和图像中暗指日本文学经典这张专辑是一套三张专辑的一部分，其中包含400多张鱼糜。印刷品根据主题或以一种有吸引力的设计排列方式排列在对面的叶子上，在颜色和形状上都是互补的。鱼糜的印刷技术、颜料和纸张通常是最高质量的，代表了江户晚期木版印刷的缩影。
介绍（英）	Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images. This album forms part of a set of three containing more than four hundred surimono. The prints are arranged on facing leaves according to themes or in a way that creates an attractive arrangement of designs, complementary in both color and shape. The printing techniques, pigments, and paper used for surimono were often the highest quality, and represent the epitome of late Edo-period woodblock printing.