随从队伍中的救济碎片 - 美国大都会艺术博物馆展品查阅

品名（中）	随从队伍中的救济碎片
品名（英）	Relief fragments from procession of attendants
入馆年号	1931年，31.3.1-1-related
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 2051
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸
介绍（中）	内弗鲁很可能是第一任女王，也许也是内杰佩特·门图霍特普二世的妹妹。1923年至1931年间，大都会艺术博物馆发掘了她被掠夺的陵墓，位于代尔赫里国王庙区外。在第十八王朝，它被当作圣地参观，在某个时候，它被用作覆盖墙壁的精细石灰石的采石场 Neferu现存浮雕的雕刻质量各不相同，最优秀的例子是一系列的女性承载者（见26.3.353克）。人物比例的缩小，以及与光滑平面形成对比的精致图案，代表了第十一王朝古代风格的高度。背景没有上漆，而人物要么很详细，要么涂上橙色、粉色、紫色、蓝色、绿色、白色或黑色的油漆这组浮雕碎片呈凸起的浮雕，主要分布在从入口通向内腔的长通道的壁上。保存在这里的侍从雕像从左右两侧接近女王的画像，其中一些人带着遮阳伞关于内弗鲁墓的其他浮雕，请参见31.3.1和26.3.353*。
介绍（英）	Neferu was most likely the first queen and perhaps also sister of Nebhepetre Mentuhotep II. Her plundered tomb, excavated by the Metropolitan Museum of Art between 1923 and 1931, lay outside the king's temple precinct at Deir el Bahri. It was visited as a shrine in the Eighteenth Dynasty, and at some point it was used as a quarry for the fine limestone covering the walls. The carving of Neferu’s surviving reliefs is varied in quality, with the finest example being a succession of female bearers (see 26.3.353g). The extenuated proportions of the figures, and the elaborate patterns contrasting with smooth planes, represent the height of the Eleventh Dynasty archaic style. The background was left unpainted, while the figures were either detailed or covered with orange, pink, purple, blue, green, white or black paint. This group of relief fragments is in raised relief, which predominated on the walls of the long passage leading from the entrance toward the inner chamber. The figures of attendants preserved in here approached representations of the queen from right and left, some carrying sun shades. For other reliefs from the tomb of Neferu, see 31.3.1 and 26.3.353*.