塔维特雕像 - 美国大都会艺术博物馆展品查阅

品名（中）	塔维特雕像
品名（英）	Statuette of Taweret
入馆年号	1926年，26.7.1404
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 1550
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	h. 17.2 厘米 (6 3/4 in); w. 4.7 厘米 (1 7/8 in); d. 7.6 厘米 (3 in)
介绍（中）	Taweret站着，左脚稍微向前，暗示着运动。这种姿势通常是为早期男性的照片保留的。她还弯曲了一只手臂，举起的手拿着一个莲芽，这是以前在女性形象中从未见过的姿势。在新王国早期，非王室女性雕像中引入了新的姿势和姿势，这可能反映了这一时期初埃及社会各阶层女性所扮演的日益突出的角色 Taweret的发型从17王朝一直流行到18王朝早期。发型的前面是一团向前拉过肩膀的辫子。在背部，三条粗辫子被画在一起，露出部分颈部和肩部这尊小雕像是塔维特的母亲献给她的，表明她未婚，住在家里。莲芽可能指的是塔维特的青春。这种未开封的花很少出现在雕像中。在这里，正如413年7月26日Amenemhab的小雕像一样，这可能表明所描绘的年轻人过早死亡。
介绍（英）	Taweret stands with her left foot slightly advanced, suggesting movement. This pose is usually reserved for images of men in earlier periods. She also has one arm bent and holds a lotus bud in her raised hand, a gesture not previously seen in representations of women. The introduction of new poses and gestures in the statues of nonroyal women in the early New Kingdom may reflect the increasingly prominent roles played by women at all levels of Egyptian society at the beginning of this period. Taweret's hairstyle was fashionable from Dynasty 17 into early Dynasty 18. The front of the hairdo is a mass of braids pulled forward over the shoulders. In the back, three thick plaits are drawn together, exposing parts of the neck and shoulders. This statuette was dedicated to Taweret by her mother, suggesting that she was unmarried and lived at home. The lotus bud may refer to Taweret's youth. This unopened flower is rarely seen in statues. Here, as on the statuette of Amenemhab, 26.7.1413, it may indicate that the young person depicted died prematurely.