雪域峡谷 - 美国大都会艺术博物馆展品查阅

品名（中）	雪域峡谷
品名（英）	Snowy Gorge
入馆年号	1948年，JP3135
策展部门	亚洲艺术（Asian Art）
创作者	Utagawa Hiroshige【1797 至 1858】【日本人】
创作年份	公元 1615 - 公元 1868
创作地区
分类	印刷品（Prints）
尺寸	28 3/4 x 9 1/2 英寸 (73 x 24.1 厘米)
介绍（中）	Hiroshige在15岁左右开始了他的职业生涯，当时他是Utagawa Toyohiro（1773-1828）的学生，后者以其风景画和美女画而闻名。他还学习了日本文人画。广志对风景的偏爱可能是由这种早期的影响所培养的。他在这一流派中的道路是由他最著名的风景系列《东京五十三站》的巨大成功所决定的，该系列由Hoeidō根据1832年京都之行中的草图出版。他的作品中弥漫着对白雪覆盖的风景和飘落的雪的特殊喜爱。对落雪的描绘充分利用了木版印刷的媒介：在木版印刷完成后，未印刷的纸张提供了白色。在这幅雪景中，可能是广治最好的雪景之一，制作于1841年。在富士河上过桥和乘船的人物非常小，几乎成为大自然的一部分，强调了山脉的纪念碑意义。广志创作了一首无声的风景诗。
介绍（英）	Hiroshige began his career at about age fifteen as a student of Utagawa Toyohiro (1773–1828), who was known for his prints of landscapes and beautiful women. He also studied Japanese literati painting. Hiroshige's predilection for landscapes may have been fostered by such early influences. His course in this genre was set by the enormous success of his best-known landscape series, Fifty-three Stations of the Tokaidō, published by Hoeidō on the basis of sketches made during a trip to Kyoto in 1832. A special fondness for snow-covered landscapes and falling snow pervades his work. The depiction of falling snow fully exploits the woodblock medium: after the block has been carved, the unprinted paper supplies the whiteness. In this snow scene, one of Hiroshige's finest, probably made in 1841, the figures crossing the bridge and in the boats on the Fuji River are so small that they become almost a part of nature, emphasizing the monumentality of the mountains. Hiroshige creates a silent poetry of landscape.