演员Segawa KikunojōIII在一个女人的“Asahina装甲牵引”（Asahina no kusazuri biki）场景中饰演Wappa no Kikuō - 美国大都会艺术博物馆展品查阅

品名（中）	演员Segawa KikunojōIII在一个女人的“Asahina装甲牵引”（Asahina no kusazuri biki）场景中饰演Wappa no Kikuō
品名（英）	The Actor Segawa Kikunojō III as Wappa no Kikuō in a Woman’s “Asahina Armor Pulling” (Asahina no kusazuri-biki) Scene
入馆年号	1936年，JP2701
策展部门	亚洲艺术（Asian Art）
创作者	Katsukawa Shunshō　勝川春章【1726 至 1792】【日本人】
创作年份	公元 1780
创作地区
分类	印刷品（Prints）
尺寸	Vertical hosoban; 图像: 12 × 5 3/4 英寸 (30.5 × 14.6 厘米)
介绍（中）	在对索加兄弟传奇的歌舞伎戏剧化中，最受欢迎的是被称为"拉甲作品"（Kusazuri biki mono）的舞蹈小插曲之一。这些回忆起Soga Gorō从梦中醒来的那一刻，他透露他的兄弟Jurō;处于严重危险之中，他立即穿上盔甲，骑上马去救他。他的忠实追随者阿萨希娜（阿萨伊娜饰）试图通过穿上盔甲来约束他的主人不要做出这种冲动的行为。该场景通常以典型的aragoto或"粗糙的东西"男性化、虚张声势的表演风格呈现。然而，在这里，著名的onnagata（女性角色扮演者）Segaw KikunojōIII（1751年至1810年）扮演了一个名叫Wappa no Kikuō。这幅版画无疑是一幅三联画的左图，其中包括BandōMitsugor艰III作为Soga no Gor艱有时会看到一位女演员戴着一条系在假发上的murasaki-bōshi（"紫色头带"）。最初，这意味着一个演员遮住了他剃光的前肢，这是一个成年男子的标志；后来，它继续成为变装诱惑力的一个暗示指标。
介绍（英）	In Kabuki dramatizations of the legend of the Soga brothers, one of the most popular of the are dance-vignettes called “Armor-pulling works” (Kusazuri-biki mono). These recall the moment when Soga Gorō wakens from a dream revealing that his brother Jurō is in grave danger, and he responds by immediately putting on his armor and mounting his horse to set out to save him. His loyal retainer Asahina (Asaina) tries to restrain his master from such impetuous behavior by pulling on his armor. The scene is usually rendered in quintessential aragoto, or “rough stuff” masculine, bravado acting style. Here, however, the famous onnagata (actor of female roles) Segaw Kikunojō III (1751–1810), plays a character called Wappa no Kikuō (in the role of Asahina), effeminately posing in a prelude to such an “Armor-pulling” scene. This print is most certainly the left sheet of a diptych that would have included Bandō Mitsugorō III as Soga no Gorō. An onnagata actor is sometimes shown wearing a murasaki-bōshi (“purple headband”) attached to his wig. Originally it signified an actor was covering his shaved forelocks, a mark of being an adult man; later it continued to serve as a suggestive indicator of the allure of cross-dressing.