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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)雷姆凯墓教堂:北墙
品名(英)Tomb Chapel of Raemkai: North Wall
入馆年号1908年,08.201.1c
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 2446 - 公元前 2389
创作地区来自于: 埃及(From: Egypt)
分类
尺寸
介绍(中)北墙

在这样一个从东墙北侧进入的墓室中,东墙和北墙离入口最近,因此离地球上的生命最近。北墙上呈现了以下场景:牛群的户外生活、鱼类准备、烘焙和酿造,以及指向墙下部壁龛的抬祭品者

牛群的生活
人类和动物的脚仍然可以在保存最完好的名册中看到。零星的茂密植物表明这一场景发生在草原上。右侧有足够的遗骸来重建一头公牛与一头牛交配的场景,而左侧则有一名跪着的牧民协助产下一头小牛。在他的右边,一名监督员靠在一名工作人员身上(尽管在一个不同寻常的细节中,工作人员本身就不见了)。古埃及人是非常成功的养牛人,经常在坟墓里描绘牛群,这证明了他们坚信大自然有能力不断更新

烘焙
右边的烘焙活动有些不按顺序排列,可能是因为空间不足。故事从第三排保存下来的两位女磨工(铭文:磨工)开始。他们跪着向前弯曲,这是古埃及磨工的典型姿势,他们在坚硬的磨石上磨谷物。在她们上方是另外两位妇女,她们在把面粉交给面包师之前对面粉进行了精制。右边那位女士上方的铭文写着"清洁",她似乎在扔手中的盘子,以便将面粉抛向空中,这一活动可能有助于去除最后剩下的外壳。她左边的同伴筛面粉(铭文:筛)。登记处最左边的两位面包师在一张低桌子上揉面团。然后,面包在椭圆形模具中烘烤,下面的人在小火上加热。他用两根棍子点燃火焰

酿造
酿酒场景从右下角开始,一名妇女正在加热圆锥形面包模具。她保护自己的脸不受火焰的伤害。在她身后,一名男子弯下腰,在一个大桶里准备面团,然后将其转移到加热的模具中,上面有一排已经准备好了。最后,中间左边的酿酒师将烤好的面包通过筛子压入另一个大桶。面对他的是一个蹲着的男人,他正在准备最终能装发酵啤酒的罐子

鱼的准备
在从顶部开始保存的第二个登记册的左侧,一个有着老年工人轻微隆起的男人坐在纸莎草灌木丛下的编织垫上。他正在清理大量的鱼,这些鱼是由两个男人带来的,他们肩上扛着一个巨大的篮子。
介绍(英)THE NORTH WALL

In a tomb chamber like this one, which is entered from the north side of the east wall, the east and north walls are closest to the entrance and thus to life on earth. The following scenes are presented on the north wall: outdoor life with herds, fish preparation, baking and brewing, and offering bearers directed toward the niche in the lower part of the wall.

The Life of the Herd
The feet of men and animals are still visible in the uppermost preserved register. Scattered bushy plants indicate that this scene takes place on the steppe. Enough remains to reconstruct a bull copulating with a cow on the right, while on the left the birth of a calf is assisted by a kneeling herdsman. To his right, an overseer leans on a staff (although in an unusual detail, the staff itself is missing). The ancient Egyptians were extremely successful cattle breeders, and the frequent depictions of herds in tombs testify to their strong belief in nature's ability to continually renew itself.

Baking
The bakery activities on the right are represented somewhat out of sequence, probably because of lack of space. The narrative starts with the two female millers (inscriptions: grinding) in the third preserved row. They are kneeling and bend forward, the typical pose of ancient Egyptian millers, who ground grain on hard millstones. Above them are two other women who refine the flour before turning it over to the bakers. The inscription above the woman on the right says "cleaning," and she appears to be tossing the plate in her hands so that the flour is flung into the air, an activity that may help remove the last remaining husks. Her companion to the left sifts the flour (inscription: sieving). The two bakers at the far left of this register knead dough on a low table. The loaves are then baked in the oval molds that the man below them heats on a small fire. He stokes the flames with two sticks.

Brewing
The brewery scene begins in the bottom right register, with a woman heating conical bread molds. She shields her face from the heat of the flames. Behind her, a man bends over a large vat in which he prepares the dough that is then transferred into the heated molds, a row of which is standing ready above. Finally, the brewer seen left of center presses the baked loaves through a sieve into another vat. Facing him is a squatting man, who prepares the jars that will eventually hold the fermented beer.

The Preparation of Fish
On the left side of the second preserved register from the top, a man with the slight hump of an elderly laborer sits on a woven mat under a papyrus bush. He is gutting and cleaning a great number of fish, brought to him by two men who carry a huge basket on a pole over their shoulders.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。