东海军视图（《希腊奴隶》，《权力》【原文】；摘自《伟大展览的回忆》） - 美国大都会艺术博物馆展品查阅

品名（中）	东海军视图（《希腊奴隶》，《权力》【原文】；摘自《伟大展览的回忆》）
品名（英）	View in the East Nave (The Greek Slave, by Power [sic]; from Recollections of the Great Exhibition)
入馆年号	1976年，1976.664(19)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	John Absolon【1815 至 1895】【英国人】
创作年份	公元 1851
创作地区
分类	印刷品（Prints）
尺寸	页: 10 11/16 × 14 11/16 英寸 (27.2 × 37.3 厘米) Mount: 16 11/16 × 22 15/16 英寸 (42.4 × 58.3 厘米)
介绍（中）	1851年，在伦敦举行的万国工业作品大展上，艺术和制造展在水晶宫（Crystal Palace）展出，水晶宫是一座由约瑟夫·帕克斯顿（Joseph Paxton）设计并竖立在海德公园（Hyde Park）的专门建造的玻璃和铁建筑。在5月至10月期间，超过600万游客聚集在第一届世界博览会上，观看了按主题和原产地组织的数千件物品。这幅美国宫廷的石版画以希拉姆·鲍尔斯（Hiram Powers）的《希腊奴隶》（1841–43）为中心，这是土耳其奴隶市场上一位裸体年轻女子的大理石雕塑。由此推断，这被视为对美国南部仍在实行的奴隶制的尖锐评论。在一个红色窗帘的壁龛后面，突出了作品的纯白色，穿着美洲原住民服装的人物可以一窥西方，而右边的人造物品包括一组钟表。出版商Lloyd Brothers与石印师Day&；儿子创作了这幅版画所属的手工彩色套装，整个套装为富裕的游客提供了一个详细而精美的纪念品。
介绍（英）	At the Great Exhibition of the Works of Industry of all Nations, held in London in 1851, displays of art and manufacture were shown at the Crystal Palace, a specially built glass and iron building designed by Joseph Paxton and erected in Hyde Park. Between May and October more than six million visitors flocked to view thousands of objects organized by theme and place of origin at this first world’s fair. This lithograph of the American Court centers on Hiram Powers’s Greek Slave (1841–43), a marble sculpture of a nude young woman in a Turkish slave market. By inference, it was seen as a poignant commentary on the slavery still being practiced in the southern United States. Behind a red curtained niche that accentuates the work’s pure whiteness, figures in Native American dress offer a glimpse of the West, while manufactured objects at right include a group of clocks. Publishers Lloyd Brothers teamed with lithographers Day & Son to create the hand-colored set to which the print belongs, the whole offering well-to-do visitors a detailed and beautifully produced souvenir.