带亭子的景观 - 美国大都会艺术博物馆展品查阅

品名（中）	带亭子的景观
品名（英）	Landscape with Pavilion
入馆年号	2001年，2001.768.3, .4
策展部门	亚洲艺术（Asian Art）
创作者	Mori Shūhō【1738 至 1823】【日本人】
创作年份	公元 1800 - 公元 1833
创作地区
分类	绘画（Paintings）
尺寸	图像 (each screen): 5 ft. 2 3/16 英寸 x 11 ft. 8 15/16 英寸 (1.58 x 3.58 m)
介绍（中）	这对屏风描绘了中国的一个想象场景，瀑布和湖泊坐落在崎岖的山脉中。在右边的屏幕上，三位中国绅士学者正在品茶。左边的屏幕上有一座带顶棚走廊的豪华豪宅；一座亭子矗立在砖石之上。书生们坐在亭子里，而在建筑的其他部分可以看到女主人和两个女仆。更多的学者步行和乘船来到这所房子艺术家Mori Shúhō是著名的猴子画家Mori Sosen（1747-1821）的哥哥。Shúhō融合了正统的卡诺绘画风格（在线性画笔技术中表现得很明显）和新学到的西方元素，如低洼的前景，这创造了强烈的距离感。这些不同的特征预示着19世纪施去世后艺术运动的复杂发展。
介绍（英）	This pair of screens depicts an imaginary scene in China, with a waterfall and lake set among craggy mountains. On the right screen, three Chinese gentlemen-scholars enjoy tea. The left screen features a sumptuous mansion with covered corridors; a pavilion stands atop stone masonry. Scholars sit within the pavilion, while the lady of the house and two maidservants can be seen in other parts of the building. More scholars approach the house on foot and by boat. The artist, Mori Shūhō, was the elder brother of the better-known Mori Sosen (1747–1821), a renowned painter of monkeys. Shūhō incorporated the orthodox Kano style of painting (evident in the linear brush technique) with newly learned Western elements like the low-lying foreground, which creates a strong sense of distance. Such divergent features forecast the complex developments that were to characterize artistic movements of the nineteenth century immediately following Shūhō’s death.