Maharana Amar Singh II骑着焦特布尔马 - 美国大都会艺术博物馆展品查阅

品名（中）	Maharana Amar Singh II骑着焦特布尔马
品名（英）	Maharana Amar Singh II Riding a Jodhpur Horse
入馆年号	2002年，2002.177
策展部门	亚洲艺术（Asian Art）
创作者	Stipple Master【1680 至 1725】【印度人】
创作年份	公元 1690 - 公元 1720
创作地区
分类	绘画（Paintings）
尺寸	Page: 14 11/16 x 12 1/8 英寸 (37.3 x 30.8 厘米) 图像: 13 3/16 x 10 3/4 英寸 (33.5 x 27.3 厘米)
介绍（中）	阿玛尔·辛格二世（Amar Singh II）在四名随从的陪同下，骑着马去狩猎一匹珍贵的蓝灰色种马，这是画作的色彩和构图重点。背面告诉告诉我们，这匹马来自焦特布尔，焦特布尔是一个以骏马闻名的城市。描绘珍贵马匹和大象的戏剧肖像是莫卧儿绘画的一个成熟流派，在这里，这位艺术家将这种对马和骑手的庆祝与另一个备受欢迎的莫卧儿成语——皇家狩猎结合起来。所谓的Stipple Master优雅的马术组与低调的景观形成了鲜明对比，在那里，轻微调整的形式与波斯莫卧儿的nam qalam（半色调绘画）技法相呼应，据信这一技法的部分灵感来自于欧洲的格里塞尔。阿玛尔·辛格二世工作室的几位最优秀的艺术家创作了这种风格的彩色绘画，也许是对更传统、色彩鲜艳的拉吉普特绘画的反应。
介绍（英）	Amar Singh II, accompanied by four retainers, rides to the hunt on a prized blue-gray stallion, the chromatic and compositional focus of the painting. An inscription on the reverse tells us that the horse is from Jodhpur, a city famed for its steeds. Dramatically rendered portraits of prized horses and elephants were a well-developed genre of Mughal painting, and here the artist has combined this celebration of a horse and rider into another favored Mughal idiom, the royal hunt. The so-called Stipple Master’s elegant equestrian group contrasts with the understated landscape, in which lightly modulated forms echo the Persian-Mughal technique of nam qalam (half-tone painting), believed to have been inspired in part by European grisaille. Several of the finest artists in Amar Singh II’s atelier created colored drawings in this style, perhaps in reaction to the more traditional, brightly colored Rajput paintings.