Ariwara Narihira，出自《三十六位诗仙》（Fujifusa bon Sanjūrokkasen emaki）的“Fujifus版本” - 美国大都会艺术博物馆展品查阅

品名（中）	Ariwara Narihira，出自《三十六位诗仙》（Fujifusa bon Sanjūrokkasen emaki）的“Fujifus版本”
品名（英）	Ariwara Narihira, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)
入馆年号	2015年，2015.300.23
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1400 - 公元 1449
创作地区
分类	绘画（Paintings）
尺寸	图像: 9 13/16 × 17 15/16 英寸 (25 × 45.5 厘米) 整体 with mounting: 41 9/16 × 22 5/8 英寸 (105.5 × 57.4 厘米) 整体 with knobs: 41 9/16 × 24 5/16 英寸 (105.5 × 61.8 厘米)
介绍（中）	诗歌比赛（uta-awase）是一种流行而富有挑战性的宫廷消遣，成为插图手卷的常见主题。在平安时期（794-1185），著名的"诗仙"的选择，通常是三十六个数量，是由贵族学者诗人。这幅想象中的九世纪朝臣Ariwara no Narihira（825–880）的肖像画曾是以yamato-e（"日式绘画"）插图模式绘制的手卷的一部分，细节用细而均匀的线条绘制。笔触的紧密是十四世纪作品的特点。在首音符的左边（中文）是Narihira最著名的waka（31个音节的诗）之一，在这里表达了看到樱花在春天盛开和散落的情感牵引 Yo no naka ni taete sakura no nakariseba haru no kokoro wa nodokekaramashi 如果这个世界上没有樱桃树就好了，我们春天的心也许就不会那么激动了 -反式。作者：John T.Carpenter
介绍（英）	The poetry competition (uta-awase), a popular and challenging courtly pastime, became a frequent subject of illustrated handscrolls. During the Heian period (794–1185), selections of renowned “poetic immortals,” often thirty-six in number, were made by scholar-poets of the aristocracy. This imaginary portrait of the ninth-century courtier Ariwara no Narihira (825–880) was once part of a handscroll executed in the yamato-e (“Japanese-style painting”) mode of illustration, with details painted in thin, even lines. The tightness of the brushstrokes is characteristic of fourteenth-century works. To the left of the headnote (in Chinese) is one of Narihira’s most famous waka (31-syllable poems), here remarking on the emotional tug of seeing cherry blossoms bloom and scatter in the spring. Yo no naka ni taete sakura no nakariseba haru no kokoro wa nodokekaramashi If only there were no cherry trees in this world, our hearts in springtime would then perhaps not be so aflutter. —trans. by John T. Carpenter