《源氏物语》中的“明石”、“海峡浮标”（“Miotsukushi”）、“艾草补丁”（“Yomogiu”）、《门房》（“Sekiya”）和“图片竞赛”（“E-awase”）章节 - 美国大都会艺术博物馆展品查阅

品名（中）	《源氏物语》中的“明石”、“海峡浮标”（“Miotsukushi”）、“艾草补丁”（“Yomogiu”）、《门房》（“Sekiya”）和“图片竞赛”（“E-awase”）章节
品名（英）	"Akashi", "Channel Buoys" ("Miotsukushi"), "The Wormwood Patch" ("Yomogiu"), "Gatehouse" ("Sekiya"), and "Picture Contest" ("E-awase") chapters from the Tale of Genji (Genji monogatari)
入馆年号	2015年，2015.300.28
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1392 - 公元 1573
创作地区
分类	绘画（Paintings）
尺寸	图像: 5 7/8 英寸 × 34 ft. 6 英寸 (14.9 × 1051.5 厘米)
介绍（中）	《源氏物语》是日本最著名的文学作品，自11世纪初由村崎敷部创作以来，一直是绘画的主题。英俊敏感的源氏亲王的生活和爱情使他成为宫廷社会成员的理想英雄。这个故事有许多插图，有些华丽而丰富多彩，但这个例子包含五章的诗歌和散文笔记，风格类似于室町时代的许多源氏卷轴，这些卷轴以经典的单色白图（白色绘画）风格的相当巧妙、简化的版本绘制。这些图像以一丝天真和活泼、有时拥挤的构图呈现，类似于其他室町白友手卷，尺寸很小;它们的高度不到 20 厘米，可以称为 ko-e，字面意思是"小图片"。这种类型的叙事画在朝臣阶层的业余画家（包括女性）中很受欢迎。
介绍（英）	The Tale of Genji, Japan’s most famous work of literature, has been the subject of painting since its creation, in the early 11th century, by Murasaki Shikibu. The life and loves of the handsome, sensitive Prince Genji made him an ideal hero to members of court society. Numerous illustrations of the tale exist, some sumptuous and colorful, but this example, which contains poems and prose notes from five chapters, is similar in style to a number of Muromachi-period Genji scrolls painted in a rather ingenuous, simplified version of the classic monochrome hakubyō (white drawing) style. These images, rendered with a touch of naiveté and lively, sometimes crowded compositions, resemble other Muromachi hakubyō handscrolls in their small size; at less than 20 centimeters in height they can be called ko-e, literally “small pictures.” This type of narrative painting was popular among amateur painters—including women—of the courtier class.