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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)Bes图像嘎嘎作响
品名(英)Bes-image Rattle
入馆年号2015年,2015.11
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 945 - 公元前 664
创作地区
分类
尺寸高 21.6 厘米 (8 1/2 英寸); 宽 8.6 厘米 (3 3/8 英寸); Th. 1.7 厘米 (11/16 英寸)
介绍(中)这幅贝思的图像代表了仁慈的埃及家庭神,他有着典型的狮子脸、侏儒身体和尾巴。他的羽毛冠顶部和耳朵上的洞里都有嘎嘎作响的声音。上帝把一个多姆坚果伸到怀里的一个长着贝思式特征的婴儿身上。猴子们坐在他的腿周围,并与他的王冠并排。在他的羽毛后面是一只被束缚的大羚羊的雕刻像



通过他们的外表,这些人物都暗指巴斯特女神。特别是,许多细节让人想起了被称为"遥远女神归来"的神话。这只猫/狮子巴斯特对神Re感到愤怒,离开埃及前往努比亚。Re想要她再次回来,所以他派了神Thoth,他以猴子的形式用寓言引诱她回来。贝斯、音乐家和舞者伴随着女神归来的列车,女神的到来为埃及带来了好运。Bes(2015.11;04.2.103)、猫(04.2.119、04.2.120、21.6.61)、猴子(44.4.17)、留着"努比亚"发型的裸体雌性(66.99.71)和音乐家(89.2.217、17。194.2441、17.194.2459、41.6.7)都与这个故事有关;戴着圆锥形"外国"帽子的人拿着一罐啤酒(86.1.55),贝斯图像中羽毛后面绑着的大羚羊(2015.11)都暗示着控制女神的危险本性

Bes拨浪鼓一定是在仪式表演中使用的,而Bes作为妇女和分娩的保护者所扮演的角色表明,这些仪式解决了这些问题。巴斯特也扮演了一个神圣的孩子国王的保姆的角色,她的故事的典故可能出于类似的目的援引了她的力量。
介绍(英)This Bes-image represents the beneficent Egyptian domestic god with his typical leonine face, dwarf body, and tail. Holes at the top of his feather crown and in his ears held rattling elements. The god extends a dom nut to a baby in his arms with Bes-like features. Monkeys are seated around his legs and alongside his crown. Behind his feathers is the incised figure of a bound oryx.


The Bes-image is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production.

Through their appearance, the figures all allude to the goddess Bastet. In particular, many details evoke the myth termed "The Return of the Faraway Goddess." The feline / leonine Bastet was angry with the god Re and left Egypt for Nubia. Re wanted her back again, so he sent the god Thoth, who, taking the form of a monkey, lured her back with fables. Bes, musicians and dancers accompanied the train of the returning goddess, whose arrival brought the return of good fortune to Egypt. Figures of Bes (2015.11; 04.2.103), the cats (04.2.119, 04.2.120, 21.6.61), the monkeys (44.4.17), the nude females with ‘Nubian’ hairstyles (66.99.71), and the musicians (89.2.217, 17. 194.2441, 17.194.2459, 41.6.7) all relate to this tale; the figure with a conical ‘foreign’ cap carrying a vessel of beer (86.1.55) and the bound oryx behind the feathers of the Bes-image (2015.11) both allude to controlling the goddess’s dangerous nature.

The Bes-rattle must have been used in a ritual performances, and Bes’s known role as a protector of women and childbirth suggests the rituals addressed such concerns. Bastet, too, had a role as the nurse of a divine child king, and the allusions to her stories may have invoked her power for similar ends.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。