象牙雕刻师，摘自《伦敦新闻画报》 - 美国大都会艺术博物馆展品查阅

品名（中）	象牙雕刻师，摘自《伦敦新闻画报》
品名（英）	The Ivory Carver, from "Illustrated London News"
入馆年号	2015年，2015.653.23
策展部门	绘画和印刷品（Drawings and Prints）
创作者	William James Linton【1812 至 1897】【英国人】
创作年份	公元 1857
创作地区
分类	印刷品（Prints）
尺寸	图像: 9 3/4 × 7 11/16 英寸 (24.8 × 19.5 厘米) 页: 10 3/16 英寸 × 8 英寸 (25.9 × 20.3 厘米)
介绍（中）	一个穿着文艺复兴时期服装的大胡子男人跪在他刚刚完成的十字架前感恩，天使接近，恶魔撤退。这幅画与查尔斯·博克（Charles Boker）的一首诗一起出版，由出生于伦敦的德国父母韦纳特设计。在哥廷根大学学习后，他前往巴黎接受艺术家培训，然后住在泽西岛并辅导年轻的约翰·埃弗雷特·米莱斯。当后者搬到伦敦时，韦纳特紧随其后，加入了新水彩画家协会，并展出了受拉斐尔前派影响的作品，包括几个德国宗教改革时期的主题。他还成为诗歌、文学和童话故事的成功插画家。《象牙雕刻师》的宗教强度和精心研究的历史背景都是艺术家作品的典型，这幅作品由他的密友林顿为《伦敦新闻画报》雕刻而成。
介绍（英）	A bearded man in Renaissance garb kneels in thanksgiving before a crucifix he has just completed as angels approach and demons retreat. Published with a poem by Charles Boker, the image was designed by Wehnert who was born in London to German parents. After studying at Göttingen University he went to Paris to train as an artist, then lived on the island of Jersey and tutored the young John Everett Millais. When the latter moved to London, Wehnert followed, joined the New Society of Painters in Watercolours and exhibited works influenced by the Pre-Raphaelites, including several German Reformation-era subjects. He also became a successful illustrator of poetry, literature and fairy tales. The religious intensity and carefully researched historical setting of "The Ivory Carver" are both typical of the artist's work, and the composition was engraved by his close friend Linton for the "Illustrated London News."