SRS闪亮大项链的精确表示。Boëhmer和Bassenge - 美国大都会艺术博物馆展品查阅

品名（中）	SRS闪亮大项链的精确表示。Boëhmer和Bassenge
品名（英）	Répresentation Exacte du Grand Collier en Brillants des Srs. Boëhmer et Bassenge
入馆年号	1949年，49.40.324
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Nicolas Antoine Taunay【1755 至 1830】【法国人】
创作年份	公元 1780 - 公元 1790
创作地区
分类	印刷品（Prints）
尺寸	页: 18 3/4 × 14 1/2 英寸 (47.7 × 36.8 厘米)
介绍（中）	这幅版画展示了钻石项链的按比例排列，这是所谓的"项链事件"的核心，特别是在法国大革命前的几年里，这条项链给法国王室和玛丽-安托瓦内特王后带来了丑闻。这条项链最初是由法国国王路易十五从巴黎珠宝商Bassenge et Böhmer那里委托给他的情妇杜巴里夫人（Jeanne Bécu de Cantigny）的。项链的设计总共包含 540 颗钻石，国王路易十五在珠宝商完成委托之前就去世了。由于他们的巨额投资，伯默和巴森格没有买家购买这件充满活力的作品，他们把项链交给了新王后玛丽-安托瓦内特，但后者拒绝了这个提议。然后，这条项链成为红衣主教罗昂（路易-勒内-爱德华，德罗昂王子）和他的情妇拉莫特伯爵夫人（让娜·德·瓦卢瓦-圣雷米）的计划的主角。红衣主教重新开始与珠宝商Böhmer和Bassenge进行谈判，告知他们女王重新产生了兴趣，并说服他们她将分期付款。珠宝商接受了这一安排，并将项链交给了罗汉，罗汉将其交给了他的情妇，而情妇又带着它逃离了宫殿。当珠宝商写信给玛丽-安托瓦内特询问他们何时会收到付款时，该计划被发现了。罗汉和拉莫特夫人都被逮捕并受到审判。然而，他们并不是唯一付出代价的人。公众舆论反对女王，女王被指控策划了整个计划以摆脱红衣主教德罗汉。Böhmer和Bassenge破产了，因为他们从未收到项链的付款，而项链本身已经消失，据信已被拆开。德拉莫特的丈夫尼古拉斯·德拉莫特（Nicholas de la Motte）不久后在伦敦出售一些钻石时被抓获。这条项链的几个复制品是根据尼古拉斯·安托万·陶内在 1780 年代出版的这幅印刷品制作的。
介绍（英）	This print shows a to-scale representation of the diamond necklace, central in the so-called 'Affair of the Necklace', which brought scandal upon the French Royal family and Queen Marie-Antoinette in particular in the years leading up to the French Revolution. The necklace had initially been commissioned by the French King Louis XV from the Parisian jewelers Bassenge et Böhmer for his mistress, Madame du Barry (Jeanne Bécu de Cantigny). The design for the necklace contained a total of 540 diamonds and King Louis XV died before the jewelers could complete the commission. Left in dept due to their great investment, and without a buyer for the exuberant piece, Böhmer and Bassenge offered the necklace to the new queen, Marie-Antoinette, who declined the offer. The necklace then became the protagonist in a scheme involving the Cardinal the Rohan (Louis-René-Édouard, prince de Rohan) and his mistress the Comptesse de la Motte (Jeanne de Valois-Saint-Rémy). The Cardinal re-opened negotiations with the jewelers Böhmer and Bassenge, informing them of the Queen's renewed interest and convinced them that she would pay them for it in installments. The jewelers accepted this arrangement and handed the necklace over to Rohan, who gave it to his mistress, whom in turn, fled the palace with it. When the jewelers wrote to Marie-Antoinette to inquire when they would receive their payment, the scheme was discovered. Both Rohan and the Comptesse de la Motte were apprehended and put to trial. They were not the only ones to pay the price, however. Public opinion turned against the Queen, who was accused of plotting the whole scheme to rid herself of Cardinal de Rohan. Böhmer and Bassenge were left bankrupt, as they never received payment for the necklace, which itself had disappeared and was believed to have been taken apart. De la Motte's husband, Nicholas de la Motte, was caught selling some of the diamonds in London shortly after. Several reproductions of the necklace have been made based on this print published by Nicholas Antoine Taunay in the 1780s.